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Press release: Creative Commons Launches Special Edition Commemorative Tee

Creativecommons.org -

Partners with Noun Project and Teespring to design and sell exclusive t-shirt celebrating “CC” logo acquisition by MoMA; Proceeds to support Creative Commons

SAN FRANCISCO – MARCH 25, 2015 – Creative Commons has partnered with crowdsourced visual dictionary Noun Project and commerce platform Teespring to release a custom t-shirt celebrating the “CC” logo’s acquisition into the Museum of Modern Art’s permanent collection. The special edition t-shirt will be available for a limited time only. Proceeds will benefit Creative Commons to further their work in growing and protecting the commons.

Designed by the Noun Project, the commemorative t-shirt celebrates the lasting impact and international recognition of the Creative Commons “double-c in a circle” or “CC” logo. The logo, originally designed for Creative Commons in 2002 by designer Ryan Junell, is recognized as the global standard for creative sharing, remixing, and reuse. Creators, educators, and remixers use the logo to indicate their adoption of one or more variants of the Creative Commons license.

In March 2015 MoMA recognized the ubiquity and significance of the Creative Commons logo by including it in their permanent design collection. The logo can be viewed alongside other imminently recognizably marks such as the @ and recycling symbols as part of the MoMA exhibit “This Is for Everyone: Design Experiments for the Common Good,” organized by senior curator, Paola Antonelli.

“On behalf of the global Creative Commons community I want to thank Teespring and Noun Project for launching this collaboration to celebrate our beloved CC logo,” said Creative Commons CEO Ryan Merkley. “This commemorative design is a beautiful remix that represents what Creative Commons is all about: Noun Project’s freely reusable iconography depicting a range of sharing and remixing activities within the Commons. We know fans of Creative Commons will wear it with pride.”

Noun Project, a long-time supporter and proponent of Creative Commons, designed the limited edition t-shirt to celebrate this milestone using pictograms uploaded by their community. Each pictogram in the design represents an industry or type of media influenced by Creative Commons, which encompasses fields as broad as the arts, science, medicine, and law.

“When opening our platform to submissions from creatives around the world, we knew we wanted to offer a clear and easy license that would enable anyone to share their work. Creative Commons was the perfect solution for helping us build and share the world’s visual language,” said Sofya Polyakov, CEO and Co-Founder of the Noun Project.

To bring this special edition t-shirt to life, Creative Commons and Noun Project have partnered with Teespring, the leading commerce platform for custom apparel. Launched in 2012, Teespring empowers entrepreneurs, creatives, influencers, and nonprofits to create and sell high­-quality products people love, with no cost or risk.

“At Teespring we strive to remove the barriers to bringing great ideas to market, which is why we have a unique respect and admiration for Creative Commons and the impact they’ve made for creators all over the world,” said Teespring Co-Founder and CEO, Walker Williams. “It’s an honor for us to partner with Creative Commons and Noun Project and help the community show their support for this meaningful cause and movement.”

This special edition Creative Commons tee will be available until April 8, 2015 at www.teespring.com/creativecommons.

You can read more about the history and origin of the Creative Commons logo at http://creativecommons.org/weblog/entry/45228.

Image assets can also be downloaded via zip file.

Press contacts

Creative Commons
press@creativecommons.org

Noun Project
info@thenounproject.com

Teespring
press@teespring.com

About Creative Commons
Creative Commons is a globally-focused nonprofit organization dedicated to making it easier for people to share their creative works, and build upon the work of others, consistent with the rules of copyright. Creative Commons provides free licenses and other legal tools to give individuals and organizations a simple, standardized way to grant copyright permissions for creative work, ensure proper attribution, and allow others to copy, distribute, and make use of those works. There are nearly 1 billion licensed works, hosted on some of the most popular content platforms in the world, and over 9 million individual websites.

About Noun Project
Noun Project is a crowdsourced visual dictionary of over 100,000 pictograms anyone can download and use. Their goal is to help people communicate ideas visually by building the world’s best resource for visual language.

About Teespring
Teespring is a commerce platform that enables anyone to create and sell products that people love, with no cost or risk. Teespring powers all aspects of bringing merchandise to life from production and manufacturing to supply chain, logistics, and customer service. By unlocking commerce for everyone, Teespring is creating new opportunities for entrepreneurs, influencers, community organizers, and anyone who rallies communities around specific causes or passions.

Celebrate Creative Commons with a limited edition tee

Creativecommons.org -

Today Creative Commons, the Noun Project, and Teespring.com are excited to announce an awesome, limited edition commemorative t-shirt celebrating our wonderful logo.

The shirt is available at Teespring.com/CreativeCommons, with all 100% of the proceeds going to support Creative Commons. It will be available until April 8, 2015 and sales start right now. Help us spread the word in all of your channels #celebrateCC

The shirt is comprised of dozens of unique, freely reusable and Creative Commons (or PD) licensed icons from the Noun Project (see a list of designers/artists below) as well as each of our primary sharing logos. Noun Project staff designers created this special edition of the logo, which was originally conceived by designer/animator Ryan Junell or Creative Commons in 2002.

You can read more about the history of the Creative Commons logos, and their recent acquisition by the Museum of Modern Art in New York, over here.

Our huge thanks to Noun Project and Teespring for helping us with this great initiative. We know Creative Commons supporters love apparel, and we think this is one of the best we’ve ever seen.

We also want to proudly recognize the work of the following Noun Project artists, illustrators, and designers whose icons and symbols make up the special edition, commemorative CC logo:

  • Edward Boatman
  • Stanislav Levin
  • Scott Lewis
  • Ryan Oksenhorn
  • Ethan Clark
  • Nathan Driskell
  • John Caserta
  • Thibault Geffroy
  • Jakub Ukrop
  • Travis Yunis
  • Hafizh
  • P.J. Onori
  • Alex Koplin
  • OCHA Visual Information Unit
  • Dmitry Baranovskiy
  • aartiraghu
  • Mateo Zlatar
  • Larissa Mancia
  • Megan Mitchell
  • Jardson Almeida
  • Lemon Liu
  • José Manuel de Laá
  • Iconathon
  • iconoci
  • Rémy Médard
  • Ricardo Moreira
  • Jeremy J Bristol
  • Sebastian Langer
  • Cole Townsend
  • Ken Messenger
  • Diego Naive
  • Clayton Meador
  • Weston Terrill
  • Martha Ormiston
  • Elves Sousa
  • Molly Bramlet
  • Joe Mortell
  • Hum
  • Stefan Parnarov
  • Brennan Novak
  • Dmitry Gennadyevich
  • Andrew Rockefeller
  • Natasha Fedorova
  • Icon Jungle
  • Roman J. Sokolov
  • Aimeê Ferreira
  • Duke Innovation Co-Lab
  • Eric Bird
  • Stephen Borengasser
  • Simple Icons
  • Ana Paula Tello
  • Alex Auda Samora
  • Cristiano Zoucas
  • Mister Pixel
  • Pham Thi Dieu Linh
  • SuperAtic LABS
  • useiconic.com
  • Björn Andersson
  • Guillermo Vera
  • Parker Foote
  • Andrew Nolte
  • Luis Prado
  • Cédric Villain
  • Digicoins Santiago
  • iconsmind.com
  • Mike Rowe
  • Haitham Almayman
  • Rohith M S
  • Alexander Romanov
  • Christopher T. Howlett
  • Nadir Balcikli
  • Eugen Belyakoff
  • Nico Tzogalis
  • Geovani Almeida
  • Mourad Mokrane
  • Greg Beck

Wikimedia adopts open licensing policy for foundation-funded research

Creativecommons.org -

Last week the Wikimedia Foundation announced it is adopting an open access policy for research works created using foundation funds. According to their blog post, the new open access policy “will ensure that all research the Wikimedia Foundation supports through grants, equipment, or research collaboration is made widely accessible and reusable. Research, data, and code developed through these collaborations will be made available in Open Access venues and under a free license, in keeping with the Wikimedia Foundation’s mission to support free knowledge.”


Logo of the Wikimedia Foundation
by User:Neolux
CC BY-SA 3.0

The details of the open access policy can be found on the Wikimedia Foundation website. There will be an expectation that researchers receiving funds from the foundation will provide “unrestricted access to and reuse of all their research output…”. Published materials, proposals, and supporting materials will be covered under the open access policy. The policy states that media files must be made available under the Creative Commons Attribution-ShareAlike 3.0 license (the version currently used by Wikipedia), or any other free license.  In addition, the policy requires that data be made available under an Open Definition-conformant license (with the CC0 Public Domain Dedication preferred), and that any source code be licensed under the GNU General Public License version 2.0 or any other Open Source Initiative-approved license.

The open access policy from the Wikimedia Foundation joins other institutions–including governments, philanthropic foundations, universities, and intergovernmental organizations who have adopted policies to increase access to important and useful information and data for the public good. Thanks to Wikimedia for their continued leadership in support of free knowledge for all.

Creative Commons seeks a new director of development

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Last year, Creative Commons posted a position for a Director of Development — someone to develop and lead our revenue strategy for 2015 and beyond. We knew it was urgent, but we weren’t ready. We had work to do on organizational strategy and budget before we could hire, so we pulled back. That work is now complete, and today, we’re re-posting this position with an updated job description.

The right person has a strong track record of fundraising strategy and implementation to lead our development programs, and build a more sustainable Creative Commons.Working directly with the CEO, the successful candidate will have experience in US fundraising, particularly major gifts, corporate donations and individual donors, with the numbers to back it up. We’re about a $3M global non-profit, with plans to grow in the coming years. In 2014, we had a strong year-end campaign that increased revenue by over 55 percent, and increased our retention rates by 10 percent. This is the right time for someone to join our team in a leadership role to author and grow our new revenue strategy.

A strong fundraiser can make all the difference in an organization like ours — making sure we have the funds we need to do our work: maintaining the licenses, advocating for open policies, advancing the cause of open education and more. If you’re the right candidate, or know someone who’s looking for an opportunity to shape the future of open content and knowledge around the world, please apply, or help spread the word.

Are commercial publishers wrongly selling access to openly licensed scholarly articles?

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Ross Mounce, a postdoc at the University of Bath, recently wrote about how Elsevier charged him $31.50 for an “open access” research article licensed under a Creative Commons Attribution-NonCommercial-NoDerivs (BY-NC-ND) license. Mounce was understandably upset, because the article was originally published by another publisher – John Wiley  – and was made available freely on their website. Elsevier’s act of charging for access initially appeared improper because of Wiley’s use of a noncommercial license.

 This situation has sparked a debate among supporters of Open Access about whether or not Elsevier violated the terms of the BY-NC-ND license, and whether articles that are intended to be distributed freely can end up locked behind paywalls. This isn’t the first time this has happened; Peter Murray-Rust documented another instance of it last year. This kind of situation can leave researchers questioning why they should invest in ensuring that their research is distributed for free if another publisher can simply turn around and sell it – especially if the article carries a Creative Commons license that is supposed to restrict commercial use. Mounce complained to Elsevier about the arrangement, and as of March 9, they’ve removed the pay from the article and promised Mounce a refund. A representative from Elsevier claimed “there was some missing metadata for some of the OA articles,” thus apparently allowing for users to be charged for access to those openly licensed articles. Elsevier said it will investigate and reimburse others who purchased access to those articles on the Elsevier site during the time that the paywall was up. At the same time, Elsevier has hinted that it has the right to sell access to BY-NC-ND articles it holds because of a separate license they get from the author.

So, what is really going on here?

A fundamental feature of copyright law is that authors hold the copyright in any work they create. Authors have control over the permissions they grant beyond “all rights reserved” copyright. For example, an author could grant certain permissions by offering the work under a Creative Commons license (some rights reserved), or even place the work in the public domain (no rights reserved) using the CC0 Public Domain Dedication. And since the CC licenses are non-exclusive, an author can both share a work with a CC license, and also enter into a separate agreement that would allow a publisher to sell it.

It is common for an author to sign a publication agreement with a publisher that may grant additional rights to the publisher independent of a CC license. And if an author agrees to a particular set of separate permissions for the publisher, then the publisher could offer the author’s article on those terms–for example, the ability to sell access to a work–even if the work was originally made available under a noncommercial open license. The authors of the article in question may have signed an agreement like this when the article was originally accepted for publication with Wiley. If this is the case, then Wiley would likely have been able to transfer or sell those rights to Elsevier when Elsevier acquired the article. However, there is no way to know for sure that this is what happened without seeing the publication agreement the authors signed with the publisher.

The question really boils down to: Who owns the copyright to the article? And did the copyright holder grant permission to Elsevier for commercial use?

According to the copyright notice in the article, the copyright belongs to the authors. Mounce contacted the lead author earlier this week. The author said he was not aware that Elsevier was selling the article, and had not granted Elsevier permission to do so. If Elsevier was relying solely on the BY-NC-ND license for its use of the article, it seems likely that their action would have violated the noncommercial restriction by charging for access to the work on the Elsevier site.

Elsevier’s own policies raise one additional question. For the majority of articles they publish, Elsevier retains “the exclusive right to publish and distribute an article, and to grant rights to others, including for commercial purposes.” But their copyright terms state that for open access articles, “Elsevier will apply the relevant third party user license where Elsevier publishes the article on its online platforms.” Since the Wiley article came to Elsevier already as “open access” (let’s set aside for a moment the fact that many do not consider BY-NC-ND to qualify as “open access”), you would think that Elsevier would retain the existing CC license from Wiley. Therefore, Elsevier would not be in a position to charge for access to the article because of the noncommercial condition in the CC license. But it’s not clear whether Elsevier applies this reasoning to articles they acquire versus articles originally published on their platform.

So where does all this leave us in understanding what is going on with how these sorts of publishing agreements intersect with open licenses? There still seems to be some outstanding questions that perhaps Elsevier could help answer. Elsevier should share publicly its author’s publishing agreement so that prospective authors and the public can better understand the terms of Elsevier’s license (and as Mounce suggests, publishers should “print the terms and conditions of the author-publisher contract within each publication itself…”). In addition, Elsevier should clarify its copyright policy with regard to when they hold an exclusive right to publish and distribute and when they will adhere to the open license provided with an article.

Reboot: Creative Commons in Australia and New Zealand

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3d Globe at Seattle Central Library / J Brew / CC BY-SA

CC is very pleased to announce the reboot of two of our longest running and most prolific teams – Creative Commons Australia and Creative Commons Aotearoa New Zealand.

The new CC Australia team was launched at the recent Australian Digital Alliance‘s Copyright Forum 2015. Those who have followed CC for a while are no doubt familiar with CC Australia. Since 2006, the team has been operating out of the Queensland University of Technology (QUT) initially under the direction of Brian Fitzgerald and Tom Cochrane, and more recently under Professor Cochrane, Nic Suzor and Nerida Quatermass. Over its tenure at QUT CC Australia has achieved some amazing things, from launching the CC Case Studies project to having CC BY adopted as the default licensing policy for the Australian Federal government.

The new CC Australia team keeps QUT as its Creative Sector, GLAM, Private Sector and Legal Lead but adds two new groups to expand its expertise:

  • the National Copyright Unit (NCU) lead by Delia Browne, who will be the new Education Lead
  • AusGOAL lead by Baden Appleyard, who will be the Publicly Funded Information Lead.

Both these organisations are already extremely prominent in the open community locally and internationally, and have been two of the strongest advocates for CC in Australia for many years. They have both already undertaken collaborative projects with Creative Commons, from the NCU’s Smartcopying website (updated to celebrate the launch) to an exciting IT project soon to be released by AusGOAL. It’s long overdue that they are recognised by welcoming them into the CC family officially. Together the new team of QUT, NCU and AusGOAL combines years of experience and expertise.

In a similar vein, a few months ago CC New Zealand changed its official host organisation from the Royal Society of New Zealand to the Open Education Resources Foundation. While hosted by the Royal Society of New Zealand, CC Aotearoa New Zealand has consistently been one of CC’s strongest and most impactful affiliates, a great example to our whole community. It has particularly excelled in the education and cultural sectors, and New Zealand remains a world leader in the take up of CC by educational and GLAM institutions. At the same time we welcome the Open Education Resources Foundation to CC, and can’t wait to see where they lead us. We expect great things.

Welcome to CC!

This is not a protest! Edit for #FreeBassel

Creativecommons.org -

In support of the #FreeBassel Day Wikipedia Edit-a-thon at the EFF, the Creative Commons Arab World will organize a virtual Arabic Wikipedia Edit-a-thon to translate and expand pages that cover topics of interest to him.

The virtual Edit-a-thon will take place on Sunday the 15th of March from 5pm to 8pm GMT. The list of topics can be viewed in Arabic on this Google Doc

The activity will be coordinated through the @ccArabWorld twitter

باسل الصفدي مهندس حاسوب، وناشط في مجال برمجيات المصادر المفتوحة والثقافة المفتوحة، ورئيس مبادرة المشاع الإبداعي في سوريا. أختير من قبل مجلة فورين بوليسي الأمريكية ضمن قائمة أهم المفكرين في العالم لعام ٢٠١٢م، وهو الآن معتقل في سوريا منذ ١٥ مارس ٢٠١٢م. بمناسبة الذكرى الثالثة لاعتقاله، وكمشاركة ضمن فعاليات اليوم العالمي للمطالبة بتحرير باسل، سوف تتظم مبادرة المشاع الإبداعي في العالم العربي فعالية على الإنترنت بهذه المناسبة وذلك من خلال تحرير صفحات جديدة على ويكيبيديا تتعلق بالمواضيع التي يهتم بها باسل والمرتبطة بالثقافة المفتوحة والتقنية، وذلك يوم الأحد ١٥ مارس من الساعة ٥ مساء إلى ٨ مساء بتوقيت جرينيتش. يمكنكم الاطلاع على المواضيع المقترح كتابة مقالات ويكيبيديا بشأنها عبر جوجل دوكس سوف يتم تنسيق الفعالية من خلال حساب المشاع الإبداعي في العالم العربي على تويتر

TAACCCT Standout Vignettes

Creativecommons.org -

Starting with the first round of grants in 2011 Creative Commons and a team of partners have been actively supporting US Department of Labor (DOL), Trade Adjustment Assistance Community College and Career Training (TAACCCT) grantees. This multi-year, nearly $2 billion grant program provides funds to US community colleges who in partnership with industry, employers, and public workforce systems create stackable/latticed credentials that can be completed in two years or less. The goal of TAACCCT is to expand targeted training programs for unemployed workers, especially those impacted by foreign trade and to move unemployed workers into high wage, high skill jobs in high growth industry sectors.

There are many unique aspects to the TAACCCT program. Creative Commons involvement stems from the DOL requirement that grantees allow broad access for others to use and enhance project products and offerings by licensing newly developed materials produced with grant funds with a Creative Commons Attribution License (CC BY). DOL is the first US department to require this in such a large grant program. Its size makes TAACCCT the largest Open Educational Resources (OER) initiative in the world.

There is a high interest in seeing curricula and course materials coming out of TAACCCT. This is partly due to the high level of investment but also due to the high growth industry sectors for which curricula is being created including health, IT, energy, transportation, and advanced manufacturing – areas where little prior OER exists. However, grantees get 3-4 years for development so examples of work are only now emerging.

In Oct-2014 at the TAACCCT-ON convening in Topeka Kansas, Creative Commons hosted a round 1 TAACCCT grantee showcase fair. All round 1 grantees were invited to showcase, share, and describe some of the best work coming out of their projects.

Using a participatory process all the other grantees attending were invited to visit round 1 TAACCCT grantees at their showcase table to see and learn more about the work they are doing. To make it interactive and fun we asked grantees to put stickers on round 1 TAACCCT projects that were standouts for them. We sought standouts noteworthy for the way they fulfill TAACCCT grant priorities and standouts by industry sector.

From that process, based on grantee selection, nine round one TAACCT grantee projects emerged as standouts. For each of the nine standouts we created a vignette with a video interview, a written story, and a graphic visualization of the project.

We’re pleased to share the results with all of you – see TAACCCT Standout Profiles. These nine round 1 TAACCCT vignettes are a small, early sampling of the work coming out of the TAACCCT program. All TAACCCT grant projects are standouts in their own way. We hope these early examples satisfy some of the interest around seeing TAACCCT work and wet your appetite for seeing even more.

Special thanks to all the grantees for agreeing to be interviewed and profiled in this way. Special thanks to Giulia Forsythe for the visuals she created to graphically illustrate each project, to Hal Plotkin for writing the stories, and to Billy Meinke for managing the whole production process. And most of all special thanks to the Bill & Melinda Gates Foundation for funding our support of TAACCCT grantees.

We hope to see similar vignettes for rounds 2, 3 and 4.

More information on the support Creative Commons and its team of partners provide to TAACCCT can be found at Open4us.org.

Open Education Week: 9-13 March 2015

Creativecommons.org -


Banner by Open Education Consortium / CC BY

Open Education Week is an annual convening of the global Open Education Movement to share ideas, new open education projects and to raise awareness about open education and its impact on teaching and learning worldwide. Open education encompasses resources, tools and practices that employ a framework of open sharing to improve education access, affordability and effectiveness. Participation in all events and use of all resources are free and open to everyone.

There are many ways to participate:

While all of the events are worthy of your attendance, here is a quick preview of events to be hosted by Creative Commons affiliates and staff:

We look forward to seeing you online!

Special thanks and congratulations to the Open Education Consortium for coordinating Open Education Week!

Open Business Models – Call For Participation

Creativecommons.org -

Creative Commons has long celebrated everyone who uses our licenses. TeamOpen profiles give a good sense of the diversity of use and purpose. The creative ways individuals, not-for-profits, governments, and businesses use our licenses is inspiring.

For every TeamOpen example there are many others who want to move in that direction but don’t know how. The question we frequently hear is, “How do I earn a living, pay the bills, and keep the lights on if I openly license my work and give it away for free?” This question is asked not just by entrepreneurs but by people in non-profits and government too.

We are pleased to announce, through gracious funding from the Hewlett Foundation, that we’re launching a Creative Commons open business models initiative aiming squarely at showing how our licenses can, and are, used by businesses, non-profits, and governments.


Building an open source business by Libby Levi licensed CC BY-SA

We aim to help businesses see how to use and contribute to the commons in a way that aligns with the norms and values of the commons, while at the same time operating as a business. We want to show what sustainability models look like. We’re planning to generate designs for how to move from closed to open. We want to provide models for businesses whose aim is to provide products and services that have both economic and social value. We aim to make visible how open business models work and provide tools and strategies for designing and developing your own.

We want to do this work in a community-based way with all of you. So this blog post is an open call for participation.

The Creative Commons open business models initiative provides you with a set of interactive tools which you can use to design your own open business models. You can use the tools to model anything from a new startup open business to an existing open business, or something in between.

The Creative Commons open business models initiative asks you to share the models you come up with including your analysis of your own models and provide suggestions for improvement of the open business model tools themselves.

Creative Commons invites you to participate in these open business model activities:

  1. Join us in designing, developing, and iterating a set of interactive Creative Commons open business model tools that anyone can use to design an open business model.
  2. Use these open business model tools yourself to generate your own open business model(s).
  3. Share the results of your participation including the open business models you generate.
  4. Provide feedback and recommendations for improving the Creative Commons open business model tools and process.
  5. Partner directly with Creative Commons on developing an open business model for your specific initiative.
  6. Participate in a Creative Commons workshop on generating open business models.
  7. Contribute to a Creative Commons open business models report.

See our Creative Commons Open Business Models Participation Activities document for further details on each of these activities, including specifics for participation, and links to the tools.

We’re excited about doing this work with all of you and growing the commons through open business models.

#FreeBassel Day 2015: Wikipedia Edit-a-thon at EFF

Creativecommons.org -


Bassel / Joi Ito / CC BY

Bassel Khartabil (also known as Bassel Safadi) is a computer engineer who, through his innovations in social media, digital education, and open-source web software, played a huge role in opening the Internet in Syria and bringing online access and knowledge to the Syrian people. Many people reading this blog know Bassel through his work as lead for CC Syria.

Sunday, March 15, 2015 marks the third anniversary of Bassel’s arrest and imprisonment in Syria, as well as the fourth anniversary of the Syrian uprising.

In San Francisco, #FreeBassel supporters, artists, and members of the open community are gathering at the Electronic Frontier Foundation for a community-building event organized around a Wikipedia edit-a-thon in Bassel’s honor. We’ll be working to improve and add articles and media content related to Bassel and articles of interest to him. We’ll also be discussing his case and brainstorming about new projects and ideas to help bring awareness to his case. Here are the details:

March 15, 2015
2:00pm — 6:00pm
EFF HQ: 815 Eddy St., San Francisco

No prior Wikipedia editing experience is necessary, we’ll have experienced editors present to help you get set up and make your first edit. Artists and activists interested in freedom of expression are encouraged to come contribute to the discussion. Experienced Wikipedians also welcome to come learn more about Bassel, contribute to Wikipedia, and help others to become involved.

For more details on the #FreeBassel Day event, click here.

This entry is remixed from Wikipedia:Meetup/San Francisco/FreeBassel Day 2015, available under CC BY-SA.

Creative Commons logo acquired by MoMA and featured in new exhibit

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The Museum of Modern Art (MoMA) announced today its acquisition* of the Creative Commons logo and license icons into its permanent collection, currently featured as part of a new exhibit called, “This Is for Everyone: Design Experiments for the Common Good.” The Creative Commons logo (double C in a circle) and license icons for Attribution, ShareAlike, Noncommercial, and NoDerivatives are featured alongside universal designs such as the @ symbol and the International Symbol for Recycling.

From the MoMA blog,

“The exhibition takes its title from British computer scientist Tim Berners-Lee, inventor of the World Wide Web, who lit up the stadium at the 2012 London Summer Olympics opening ceremony with a simple tweet: “This Is for Everyone.” His buoyant message highlighted how the Internet—perhaps the most radical social design experiment of the last quarter century—has created seemingly limitless possibilities for discovering, sharing, and expanding knowledge and information.

The Creative Commons logos, and the organization and movement for the commons they represent, fit solidly within this narrative of imagining a better world through design — and Creative Commons is honored to be featured in this new exhibit and acquired as part of MoMA’s permanent collection. We’d especially like to highlight the designers: Ryan Junell of the original and now standardized CC logos, Alex Roberts of the re-conceived Attribution icon.

Read more about the acquisition at the MoMA blog and Wired’s coverage of the exhibit. Also stay tuned for a more detailed post on the origin story of the CC logos.

* Different museums have different criteria for acquiring objects into their collection. Here’s MoMA’s criteria in context of its @ symbol acquisition. To acquire doesn’t mean to own, but to obtain permission for reproducing the work as a matter of copyright. Our logos are still our trademarks!

CC Malaysia, where are we now? A mixtape, open data and more

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CC Malaysia Mixtape 2015 by Muid Latif under CC BY NC ND

A guest post by CC Malaysia Lead, Muid Latif.

In the recent years, Malaysia has been more active in adopting open culture. Local mainstream media has provided a continuous platform for Creative Commons Malaysia to reach out to Malaysians in promoting CC, and both government and the community have been proactive in spearheading interesting online projects for everyone’s benefit.

For example, last December I had the chance to approach several local musicians and producers who are familiar with Creative Commons licenses on SoundCloud to find out if they were keen to have their music under a CC license. It was great to see that local musicians are very supportive of CC and how it empowers their works. This resulted in the release of CC Malaysia’s very own Creative Commons Malaysia Mixtape 2015. Inspired by this year’s World CC Mixtape, the Malaysia collection features 12 tracks from eight artists: the notable DJ Rezabudculture, Space Gambus Experiment, Metahingaq, NERO ONE, Z-1, Zam Nayan, Ugendran and Mohammad Yazid. The tracks are mostly uptempo or experimental. Listen to it here.

Our community also wants to play a greater role in open data. One of the biggest outcomes from this is Sinar Project, a mainly volunteer-run organisation which uses open technology and applications to make government information–such as budget expenditure and assets of those holding political office and parliamentary bills–public and more accessible to the Malaysian people. The Sinar project won a 2014 Information Society Innovation Fund (ISIF Asia) Award, under the “Rights” category (see more here). The Malaysian government has also taken the initiative to progress open data by setting up www.data.gov.my as well as adopting Big Data Analytics (BDA) mandates to the Ministry of Communication, the Multimedia, Malaysian Administrative Modernisation and Management Planning Unit (MAMPU) and Multimedia Development Corporate (MDeC).

In this context, I have recently had the chance to contact the founder of the Big Data Malaysia network, Tirath Ramdas, about his view on open data here in Malaysia and concerns about citizen engagement. He thinks that open data is not a one way street. Any investment into open data from government will be a waste of taxpayer funds if the Malaysians do not make productive use of the data released. Raising general awareness of open data is therefore be highly important at this point in time. With this in mind, MDeC and Tentspark, an IT solutions provider, recently launched the National Big App Challenge to stress the importance of big data analytics in solving Malaysia’s challenges related to national issues and societal well-being.

In the near future, we would love to see Malaysia join the Open Government Partnership (OGP), following the Big Data Analytics Framework goal to have the framework ready by the end of this year and in line with the Digital Malaysia 354 Roadmap (DM354 Roadmap). With increased focus on sharing by both the government and private citizens, there seems to be a good chance for this to happen.

Creative Commons celebrates Fair Use Week

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“Niagara” by Jeff Koons, famously held to be a fair use of a photograph in Allure magazine. (Screenshot of image used under fair use.)

Today we commemorate Fair Use Week, a week-long celebration of the doctrines of fair use and fair dealing.

Creative Commons is proud of how its licenses respect fair use and other exceptions and limitations to copyright. CC licenses end where copyright ends, which means you don’t need to comply with a CC license if you don’t need permission under copyright. You will hear us repeat this fundamental design principle about our licenses often because it is important in practice, but even more so as policy. Anything that claims to grant “permission” to do things allowed under fair use is problematic because it promotes “permission culture” and increases FUD (fear, uncertainty and doubt) about fair use. This maxim goes for open licensing just as it does anything else, which is what makes the treatment of fair use in our licenses so important.

Even so, there remains some potential tension between open licensing and fair use. There are a few reasons for this. The first is that relying on fair use to include content in an otherwise openly-licensed work can make it difficult for people around the globe to reuse your work. While most countries have some form of fair-use-like rights, those rights are not harmonized internationally. That means it is possible that the portion of your work used under fair use would have to be carved out before it is reused in some jurisdictions. Proper marking of what content falls outside the scope of the license can help minimize this problem.

The other potential tension results from the gray area around where fair use begins and ends. Thanks in no small part to the work of Peter Jaszi and Patricia Aufderheide, the public has a much better idea of how fair use plays out in practice than it used to. But inevitably, some challenging fair use questions remain. When reusers are faced with those close cases, some opt to use CC-licensed work instead of relying on fair use of an all rights reserved work. By providing a licensed alternative, CC licenses provide a nice cushion for fair use in those situations. But in other contexts, reusers have to decide whether to rely on fair use when reusing a CC-licensed work. While it is common practice to give attribution when using something under fair use, complying with other CC license restrictions is often impossible when relying on fair use. This is exactly how it should be. As we know, using a work under fair use means the CC license is irrelevant and the license terms do not apply.

Creative Commons never discourages reusers from relying on fair use or other exceptions or limitations to copyright, even when that means not complying with a CC license. Respect for fair use was written into the code of our licenses from the start, and that has not changed. We recognize that fair use is a muscle, and it needs to be exercised. Now go workout.

Why Creative Commons uses CC0

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Creative Commons dedicates the text of our licenses and other legal tools, as well as the text of our Commons deeds, to the public domain using the CC0 Public Domain Dedication. While that doesn’t mean that anything and everything is allowed by those choosing to reuse these materials (as explained below), we believe that copyright isn’t a good fit for every creative work, and we don’t think it is right to leverage it as a stick in these instances.

CC has never asserted copyright in the text of our licenses or other legal tools. We made our policy clearer a few years ago by specifically declaring they are released under CC0. The text of the licenses, public domain tools, and license deeds we publish are all unrestricted by copyright worldwide, and we recently added a sentence to that effect in the notice at the bottom of our licenses and CC0.

No copyright ≠ no rules

Although these materials are public domain as a matter of copyright, the Creative Commons name and logo are our trademarks and can only be used according to our trademark policy.

This can be a difficult concept to communicate: while we want people to freely reuse the texts of our legal tools and deeds, we don’t want to give people the wrong idea about what we enable and what we do not: the difference between copyright and trademark can be complicated.

We’ve had a long-standing policy against use of our trademarks or name in connection with modified versions of our legal tools and other products (like our deeds). We’ve tried to make this policy simple and understandable, and just updated it for added clarity, though substantively nothing has changed from when CC published the first licenses in 2002. In a nutshell, we need to be sure the public is not confused about what comes from and is supported by Creative Commons, and what isn’t. We need to be sure the public doesn’t associate CC with other content and materials. While we hope this is simple enough to need no further explanation, if you want to reuse CC materials in a way that uses or associates our name or logos, please see our trademark policy to be sure you’re in the clear or contact CC.

Credit where credit is due

We appreciate and want credit for our work! We just don’t require it as a condition of exercising rights that we control under copyright.

Even though CC0 imposes no legal obligation to provide attribution, courtesy, good practice, norms, and community expectations often mean that you should give credit anyway. (For example, we recommend CC0 for scientific data, but many reusers include source information, both to acknowledge others’ work and to establish the data’s provenance.) Giving proper credit helps others understand the origin of the text so they can learn more and identify any changes that have been made. That may not always be reasonable or possible, but in any case we won’t be using copyright as a means to enforce our request for credit.

For more information, you might find our guidelines for using public domain material instructive.

(Trade)mark our words…

We strongly recommend against any modifications of our licenses and other legal tools. However, if you choose to change the text of our legal tools either directly through edits or indirectly through additional terms, such as terms of use on your website, you may not claim that your offering(s) are under Creative Commons, and you may not call the modified result a CC legal tool. You are free to link to us, talk about us, cite us, and yes, criticize us by name without infringing our copyright or trademark rights. However, you may not use or associate our name or brand with a license or any other legal tool of your own.

What about license proliferation?

Creative Commons provides a standard set of licenses suitable for a wide variety of uses and situations. Our licenses reduce the need for custom licenses that create separate pools of material under incompatible terms (i.e. “license proliferation”). By choosing not to use copyright to restrict modifications of CC license text, we recognize we may be encouraging license proliferation, because people will feel free to remix the content and publish their own, new custom license.

This is a fair criticism, but it fails to account for the reality that those wanting different terms will make that happen with or without repurposing our text. We believe our efforts are better focused on explaining the rationale for standard licensing, and helping creators understand that as much as they may think they need specialized terms, that those sometimes (if not often) work against their sharing goals and inflict more harm than provide benefit. This includes additional transaction costs for them and their reusers, who are forced to understand specialized terms unique to the custom license.

Withholding permissions and exercising copyright in legal tools are hardly effective tools in this campaign against license proliferation—those who want their own licenses will make that happen whether or not we impose some rights reserved (or even all rights reserved) on the text of our legal code. We will, however, continue to strongly encourage would-be custom license creators to use our standard licenses, which have a long history and a thriving user base as well as robustness internationally, rather than creating new custom and incompatible licenses and legal tools.

Let’s share!

We believe in creating a vibrant commons, that maximizes the ability of others to build upon our works with the least restrictions possible. We hope you will consider joining us by using CC0 for your own materials!

Dutch translation of 4.0 published

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With the Dutch translation of the 4.0 licenses published today, we now have a second translation of the complete set of current CC legal tools, and the first one by a cross-jurisdiction team! CC Netherlands and CC Belgium worked together on this translation, as well as Kennisland and the Institute for Information Law (part of the University of Amsterdam).

Our thanks and congratulations to the translation team of Maarten Zeinstra (CC-NL, translation coordinator), Lucie Guibault (CC-NL, legal lead), Yannick H’Madoun (CC-BE), Lisette Kalshoven (CC-NL), Tamara Mangelaars (Kennisland, editor), Tiara Roquas (CC-NL intern), and Tessa Askamp (CC-NL, technical interpreter). Additional help was provided by law students from the Institute of Information Law (Rutger de Beer, Sarah Johanna Eskens, Sam van Velze, Marco Caspers, and Alexander de Leeuw), and CC’s own regional coordinator (and native Dutch speaker) Gwen Franck.

2014: By the Numbers

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PLOS enters its 12th year poised to deliver innovations that will make science publishing easier, faster and more satisfying. Thanks to everyone involved, we draw on a robust peer review community, high author satisfaction and global reach to be a leading Open Access publisher. At the core, though, it’s the articles that matter. In 2014 PLOS published more than 33,000.

In 2014, readers worldwide viewed approximately 11.6 million PLOS articles each month. These articles were published by authors from more than 200 countries with the assistance of nearly 7,000 academic editors and 90,000 reviewers.

Quality reporting by our authors in their research articles, deep dives into key topics by authors and editors in collections, thought-provoking perspectives by the community and discipline-specific channels for discussion bring readers to the more than 140,000 papers published since 2003.

Let the numbers speak for themselves as you peruse the PLOS 2014 infographic and consider yourself part of this global community dedicated to quality science.

Click on the image at right to see the full infographic.

The post 2014: By the Numbers appeared first on The Official PLOS Blog.

Report back: Institute for Open Leadership meeting

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Creative Commons and the Open Policy Network hosted the first Institute for Open Leadership meeting in San Francisco 12-16 January 2015. The Institute for Open Leadership (IOL for short) is a training program to identify and cultivate new leaders in open education, science, public policy, research, data and other fields on the values and implementation of openness in licensing, policies and practices. The rationale for the IOL is to educate and empower potential open advocates within existing institutional structures in order to expand and promote the values and practices of the idea that publicly funded resources should be openly licensed.


IOL group shot by Cable Green under CC BY

There was significant interest in the first iteration of the IOL program: we received over 95 applications and selected 14 fellows for the first Institute. The fellows came from around the world (Bangladesh, Barbados, Chile, Colombia, Greece, Nepal, New Zealand, Poland, Portugal, Somalia, United States ), and reflect a wide range of institutions–from community colleges to government sector to public radio.

The central component of the IOL program requires fellows to develop, refine, and implement a capstone open policy project within their home institution. Creative Commons staff and other selected mentors provided guidance throughout this process.

Week’s activities
The week was deliberately structured with the fellows at the center of the conversation, with a specific focus on providing them with the information and tools to develop and successfully implement their open policy project in their institution. We constructed the week’s activities to cover a wide range of topics, including:

  • Overview of Creative Commons and open licensing, as this is a key aspect to all open policies.
  • Deep dive into open policy, including identifying existing real world examples, sharing lessons learned, discussing the value proposition, sharing typical opposition arguments.
  • Discussion of practical development of policy roadmaps and roll-out strategies across different sectors/institutions.
  • Campaign planning and advice/best practices about how to communicate with decision makers about open policy.
  • Identification of resources in support of open policy development and implementation, including presentations, reports, videos, informational and promotional materials.
  • Sharing of best methods for educating and informing decision makers about open policy, including workshops, courses, hackathons.
  • Testing fellow’s open policy knowledge and expected challenges through an open policy “shark tank.”
  • Hewlett Foundation communication team interviewed multiple IOL fellows for a Hewlett story on the power of CC licensing.

Mentors included Cable Green, Paul Stacey, Timothy Vollmer and Puneet Kishor from Creative Commons and Nicole Allen and Nick Shockey from SPARC. Each of these persons had specific subject-area expertise and acted as a “mentor” for two or more of the fellows. We grouped the fellows based on their project ideas with a mentor in the following categories: Open Educational Resources, Open Access, Open Data, Open GLAM (galleries, libraries, archives, museums), and Open Business Models. During the week, we provided time for fellows to work individually, with other fellows, and with their mentors.


IOL session by txtbks under CC BY

On the final day of the in-person Institute we asked each fellow to report back on their progress from during the week, and asked each to answer common questions, such as talking about their open policy project objectives, planned activities to meet those objectives, identification of challenges they expect to face, partners they plan on working with, and metrics for success.

In addition to the whole group discussions, mentor breakouts, and individual work, we included informational and motivational speakers to talk with the fellows over our lunch breaks. These talks were given by individuals with experience working in open policy across a variety of sectors, including Hal Plotkin (former Senior Policy Advisor within the U.S. Department of Education), Abel Caine (OER Program Specialist at UNESCO), Heather Joseph (Executive Director at SPARC), Laura Manley (Project Manager at Open Data 500) and Romain Lacombe (Plume).

Next steps
With the successful completion of the in-person portion of the IOL, the fellows have now returned to their home countries and will begin the process of implementing their open policies. The mentors are committed to continue working with their respective fellows, including providing advice and assistance. Fellows and mentors will meet to discuss progress over webinars planned for the following months. The goal is for the fellows to have implemented their open policy at the institution within a year. The fellows will be able to share more information about the implementation of their capstone policy projects in the coming months.

We’ve already solicited feedback from fellows and are currently evaluating the activities and structure of the just-completed IOL. There are already several improvements we’d like to see as we begin to develop the second round of the IOL, to be held outside of North America in January 2016. We plan to open the application process for round two in mid-2015. The demand for IOL is large and additional funding is being sought to support additional ones beyond the first two.


Yoda Fountain by Nasir Khan under CC BY-SA
Note: Lucasfilm has offices inside The Presidio, where the IOL took place. Thus, Yoda.

One of the aims of the Institute For Open Leadership is to link participants together into a global network. Participants from this inaugural Institute for Open Leadership, and all future ones, become part of a peer-to-peer network providing support for each other, asking and answering questions, and getting ongoing help with open policy development and implementation. This network helps participants overcome barriers and ensure open policy opportunities come to fruition.

Ford Foundation to require CC BY for all grant-funded projects

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Today the Ford Foundation announced an open licensing policy for all of their grant-funded projects and research. The new arrangement came into effect February 1, 2015 and covers most grant-funded work, as well as the outputs of consultants. The Ford Foundation has chosen to adopt the CC BY 4.0 license as the default for these materials. Grant agreements will now include a paragraph requiring the grant recipient to broadly share all copyrightable products (such as research reports, photographs, videos, etc.) funded by the grant under CC BY. And the Ford Foundation is leading by example by adopting CC BY for all materials not subject to third-party ownership on their own website.

Darren Walker, president of the Ford Foundation, said, “This policy change will help grantees and the public more easily connect with us and build upon our work, ensure our grant dollars go further and are more impactful, and – most importantly – increase our ability to advance social justice worldwide.”

“We’re incredibly pleased to see the Ford Foundation adopting a Creative Commons licensing policy for a wide range of grant-funded works, promoting openness and re-use of content produced through its philanthropic grantmaking,” said Ryan Merkley, CEO of Creative Commons. “The Ford Foundation joins a growing movement of foundations and governments adopting policies that increase access to and re-use of digital education materials, research articles, and data using Creative Commons.”

The Ford Foundation is an independent, nonprofit grant-making organization created in 1936. Its mission is “to strengthen democratic values, reduce poverty and injustice, promote international cooperation, and advance human achievement.” In 2013 the Ford Foundation granted almost $570,000,000 to projects and organizations around the world.

The Ford Foundation joins several other philanthropic grantmaking organizations who have adopted Creative Commons licensing policies for the outputs of their charitable giving. We’ve highlighted several over the last few months, including the William and Flora Hewlett Foundation (who also now require CC BY for all their project-based grantmaking) and the Bill & Melinda Gates Foundation (who adopted a CC BY open access policy for published grant-funded research and data). Releasing grant-funded content under permissive open licenses like CC BY means that these materials can be more easily shared and re-used by the public. And they can be combined with other resources that are also published under an open license.

Congratulations to the Ford Foundation on adopting an open licensing policy that will encourage the sharing of rich content and data in the digital global commons. Creative Commons continues to urge other foundations and funding bodies to emulate the ongoing leadership of the Ford Foundation by making open licensing an essential component of their grantmaking strategy.

A step toward compatibility with GPLv3

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Free Software Foundation Bulletin by Osama Khalid under BY-SA 2.0.

Together with the Free Software Foundation, Creative Commons has officially proposed the GNU General Public License version 3 as a candidate for compatibility with CC BY-SA version 4.0. The announcement was made on the CC license development mailing list on January 29th, kicking off what will be at least a month-long discussion period before a final compatibility determination is made.

This proposal is significant because it would bridge a gap between two of the most widely-used copyleft licenses for code and content. Currently, developers are sometimes reluctant to integrate BY-SA content into GPL projects because of uncertainty about how the two licenses work together. Eliminating obstacles to remix between licenses so similar in aim and spirit is precisely what the compatibility mechanism in BY-SA was designed to do.

However, there are differences between the two licenses that pose issues for the CC and FSF communities to consider before declaring compatibility. Over the next several weeks, we will be leading a public discussion about those topics, ensuring the final decision will be informed by community input. We encourage anyone interested to join the discussion by signing up here.

GPLv3 is the second candidate for ShareAlike compatibility considered by Creative Commons. The Free Art License version 1.3 was considered under CC’s established compatibility process and criteria and was declared compatible in October 2014.

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