Internasjonale nyheter

Reproducibility and Recognition: One year later

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This blog is authored by PLOS staff with contributions by Lenny Teytelman, protocols.io CEO.

For many scientists, there is a common frustration with methods sections of research papers that lack sufficient details, which are necessary to follow up on the work. The mission of protocols.io is to encourage precision and to facilitate the sharing of these details.  We’re excited that our partnership with them over the past year is providing yet another catalyst for transforming research communication. Our combined aim is simple: improve the rigor of published research papers by encouraging authors to report precise protocols accompanying their manuscripts on protocols.io.

“In addition to helping the PLOS papers and the scientists reading them, this partnership also had a dramatic impact on the adoption of protocols.io. The new author guidelines at PLOS helped protocols.io to also connect in a similar way to 200 other journals,” says protocols.io CEO Lenny Teytelman. “As a result, the number of scientists creating new protocols every month has more than tripled on protocols.io over the past year.”

Figure Legend: Number of scientists creating new protocols each month on protocols.io

“Partnering with organizations like protocols.io and bioRxiv is a way for PLOS to achieve its Open Science mission in the spirit of collaboration,” says PLOS Executive Editor Veronique Kiermer. “Leveraging the effective platform that protocols.io has developed enables us to take a leap forward in promoting reproducibility.”

Out of the hundreds of protocols accompanying PLOS articles published over the past year, we want to highlight a few great and diverse examples of what scientists have chosen to share via their Materials & Methods sections:

Looking ahead to the rest of 2018: protocols.io continues to broaden its scope to include “all research” instead of simply biomedical and the life sciences. And thanks to our continued partnership authors will soon see an improvement to the platform interface for clinical trials, neuroscience and other fields; a better experience for reporting reagents and equipment; and easier to use templates.

Publish with PLOS and your protocols with protocols.io and let’s keep science open, transparent and reproducible together.

 

Bassel Khartabil Free Culture Fellowship and Memorial Fund Recipients Announced

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Majd Al-shihabi CC BY Ziad Tareq Hassan

The inaugural Bassel Khartabil Free Culture Fellowship was awarded today to Majd Al-shihabi, a Palestinian-Syrian engineer and urban planning graduate based in Beirut, Lebanon. The Fellowship provides operational costs and a stipend of $50,000USD to carry out work honoring the legacy of Syrian activist Bassel Khartabil. The announcement was made at the 2018 Creative Commons Global Summit by Creative Commons CEO Ryan Merkley and filmmaker Dana Trometer. In tandem with the launch of the Fellowship, Creative Commons announced the first three recipients of the Bassel Khartabil Memorial Fund: Egypt-based The Mosireen Collective, and Lebanon-based Sharq.org and ASI-REM/ADEF Lebanon.

The Fellowship will support Majd’s efforts in building a unified platform for Syrian and Palestinian oral history archives, as well as the digitizing and release of previously forgotten 1940s era public domain maps of Palestine. “Even though I never met Bassel, I am realizing that the projects and the communities that I have been involved in are influenced by his spirit of openness and collaboration,” says Fellow Majd Al-shihabi. “I hope that through my projects, I will propagate those visions for re-building our Palestinian and Syrian societies towards a fair and free future.”

“It has been extraordinary to see the range of projects and initiatives proposed for this first Fellowship honoring Bassel’s work,” offered Bassel’s widow, Syrian human rights lawyer Noura Ghazi. “Bassel was first and foremost a proud member and leader within Syria’s Creative Commons, open source and free culture communities. I would like to send my heartfelt thanks to everyone at Creative Commons for all the love and support they gave us throughout the hard years Bassel spent in a Syrian prison. I would like to congratulate Majd and the Memorial Fund recipients and I know Bassel would have been a great colleague and supporter of all involved. I wish you good luck with the summit and I regret not being able to be there with you.”

The Bassel Khartabil Free Culture Fellowship was made possible by the support and funding from organizational partners Creative Commons, Wikimedia Foundation, Mozilla, Fabricatorz Foundation, #FREEBASSEL, #NEWPALMYRA, Jimmy Wales Foundation, SMEX, and YallaStartup.

Bassel Khartabil by freebassel, CC0

The Bassel Khartabil Memorial Fund is generously supported by Private Internet Access, the family of Bassel Khartabil, and individual donors.

Inaugural Fellowship to focus on a vibrant platform for sharing oral histories and release of public domain maps of Palestine

Majd Al-shihabi’s work as the Bassel Khartabil Free Culture Fellow will focus on collaboration with archivists and oral historians in Lebanon and beyond to increase the accessibility and openness of Syrian and Palestinian oral history collections online. In tandem, Majd will work with local GIS and mapping communities in Lebanon to digitize and publish recently discovered print maps of Palestine from the pre-1940s, British Mandate era. These archival maps will help identify the location of long-since destroyed villages, landmarks, and communities in an open and freely-redistributable web platform, ensuring the perseverance of Palestinian history and culture.

Three recipients of Bassel Khartabil Memorial Fund

The Fellowship was presented alongside three inaugural Bassel Khartabil Memorial Fund grants, awarded to Egypt-based The Mosireen Collective, and Beirut-based organizations Sharq and ASI-REM/ADEF Lebanon (Arab Studies Institute-Research and Education Methodologies / Arab Digital Expressions Foundation). Grants are valued at up to $10,000USD and targeted at work or projects that will unfold through May 2019.

The Mosireen Collective: 858.ma Archive – https://858.ma/

The Mosireen Collective is a volunteer media group born out of the rapid expansion of citizen journalism and cultural activism during the Egyptian revolution of 2011. Mosireen worked to film, document, edit and upload video works related to the revolution, and to train and organize video activists, as well as establish a physical space for meetings and screenings. Following the military coup of 2013, the Collective migrated its work entirely to the web and focused on the creation of 858.ma, a predominantly open source collection of 858 hours of filmed, indexed, and geo-located archival footage from within the Egyptian revolution.

With support from the Memorial Fund, the Collective will expand and grow the online collection, and work to establish it as a “living,” growing, and responsive collection of video works. The Collective plans to launch new workshops and training for video activists, bring together other collections and collectors of video, engage new volunteers to archive and annotate works, and train them in the use of open-source video platform pan.do/ra to help them upload their own footage.

Sharq.org: Arab World Voices Library – https://sharq.org

Sharq’s mission is to strengthen the ability of Arab citizens to hear and be heard, and to engage in honest and productive interactions. Sharq carries out this work primarily through the production of oral history collections that capture the stories and experiences of individuals across the Arab world. Sharq’s Managing Director, Reem Maghribi, is a journalist and communications professional who has focused Sharq’s project efforts around empowering citizens to gain skills for expression and debate, through publishing, training and cultural initiatives.

To date, Sharq has produced varied collections of hundreds of video and audio recorded oral histories from across the Arab region, all under CC license. Recent collections center on culture and society in Syria prior to 2011, human rights abuses during the Gaddafi era in Libya, and employment for Palestinians in Lebanon. The Arab World Voices Library will see Sharq’s wider collection of online, oral histories combined into a single, virtual library destination. Through workshops and online training, visitors from around the world will be invited to explore and help curate and grow the library for future generations.

 

ASI-REM / ADEF Lebanon: Youth Media Activists Camp – https://arabdigitalexpression.org/

The Arab Digital Expression Foundation builds spaces and fosters environments focused on digital expression, learning, skills development, and empowerment of Arab-speaking teenagers and youth to strengthen their engagement with society. ADEF promotes the creative use of media, art, and technology – with a strong focus on the promotion of open source and free culture tools and outputs – to increase the production and dissemination of Arabic knowledge and culture.

ADEF Lebanon, CC BY

ADEF Lebanon has been conducting the Youth Media Activists Camp since 2014. The 10-day camps are an annual gathering place for exchange of knowledge and skills for up to 50 young participants representing collectives, student and social activists, media groups, technologists, and aspiring writers and journalists. Participants take an active role in designing and planning the camps, with an emphasis on developing skills and abilities central to collaboration, expression, and community-building. This year’s camps, partially supported by the Memorial Fund, will continue to mobilize and catalyze a new community of Lebanese, Syrian, and Palestinian social and political activists.

2018 CC Global Summit

The Memorial Fund and Fellowship recipients were announced at the 2018 Creative Commons Global Summit, the annual gathering of technologists, legal experts, academics, activists, and community members who work to promote the power of open worldwide. Held in Toronto, Ontario, the summit brought together over 450 participants this year.

Summit keynotes this year included Wikimedia Foundation Executive Director, Katherine Maher, Director of Libraries at MIT, Chris Bourg, and Ruth L. Okediji, the Jeremiah Smith, Jr. Professor of Law at Harvard University and Co-Director of the Berkman-Klein Center. Other notable speakers include Lawrence Lessig, advocate for US democratic reform and Creative Commons founder. Yasmin Fedda, BAFTA-nominated filmmaker, presented exclusive footage from her film, “Ayouni,” which probes the fates of Bassel Khartabil and Italian Jesuit priest Father Paolo Dall’Oglio, two high-profile figures in Syria’s pro-democracy movement who were both forcibly disappeared in the early days of the Syrian revolution. Creative Commons’ CEO Ryan Merkley moderated a conversation with the filmmaker.

During the summit, Creative Commons also announced the launch of its new CC Certificates program, an in-depth course and certification program about Creative Commons open licenses, open practices and the ethos of the Commons, CC’s new Global Network outreach strategy to expand and grow a global community of affiliates and volunteers, and announced a landmark 1.4 billion works shared under CC licenses.

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Announcing Open Registration for CC Certificates

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In response to the growing use of CC licenses globally, and the corresponding need for open licensing expertise, Creative Commons is officially launching the CC Certificate program today. Registration for the Certificate program is now open and details are available on the Certificates website.

The CC Certificate provides an-in depth study of Creative Commons licenses and open practices – helping you become an expert in open licensing and the Commons. The program is offered both as a 10-week online course starting in July 2018 as well as a week-long, in-person bootcamp in 2019. In keeping with our values, we will openly license (CC BY) the Certificate content–making downloadable and editable file formats available for informal learning from our website by July 2018.

The CC Certificate uniquely develops participants’ open licensing proficiency and understanding of the broader context for open advocacy. Course content addresses copyright law, CC legal tools, and Commons values and practices. Currently geared for educators and librarians, the Certificate will soon be offered for additional audiences (such as government and GLAM).

Participants who successfully complete the Certificate program receive a digital Certificate (PDF) that recognizes specialization in open licensing and the Commons, and the ability help others understand and implement open licenses. Certificate recipients will be able to create new openly licensed resources, adapt and innovate on existing open materials – keeping their institution’s knowledge base relevant and up to date. Certificate recipients will also be equipped to meet open licensing requirements increasingly present in government and foundation grants and contracts.

We want to express our gratitude to our Beta cohort of 50 who helped us build, test, and refine the content, as well as Lumen Learning and Canvas for providing the instruction and platform support.

Course Registration is open! Sign up here. We look forward to working with you.

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The Commons Opens Up the World

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Cynthia Khoo on net neutrality, where creativity comes from, and getting involved with the Creative Commons Summit

Based in Toronto, Cynthia Khoo is an internet and technology lawyer working at the intersection of digital rights, copyright and freedom of expression. In advance of the Creative Commons Global Summit, we’re gathering the stories of inspiring humans working around the world to shape the Commons’ future. We want to share your story, too — drop by the “Humans of the Commons” listening lounge at the Summit to get interviewed and add your voice. Here’s an edited transcript of Cynthia’s story:

I first got involved with Creative Commons last year when the Creative Commons Global Summit happened in Toronto. I had just moved to Toronto, so it seemed like a great opportunity to see what the organization did firsthand. The summit was an amazing experience; I loved it. It felt unlike other conferences I’d been to up to that point.

After that I went from just being aware of Creative Commons to actively wanting to be a part of it. I got added to the Creative Commons Slack – I hung out for a bit, just to see what was up and keep an eye out for ways to get involved. I was working with Open Media at the time on their copyright reform platform, and because Creative Commons is in that space as well we found opportunities to collaborate together.

So when the opening came up for volunteers to help organize this year’s summit, I thought it would be an amazing opportunity to help out and pay it forward.

From the 2017 CC Summit in Toronto. Sebastiaan ter Burg — Attribution 2.0 Generic (CC BY 2.0) “Yes! They got it!!”

One recent success I’m really proud of is a significant victory for net neutrality here in Canada. Net neutrality is under serious threat in the U.S. and around the world right now, and last year’s hearing was similarly critical for Canada. It focused on “zero rating,” which is about whether phone and cable companies should be allowed to discriminate or privilege some content on your mobile phone data plan, like certain music or video services.

One of the challenges we faced from the parties on the opposing side, I thought, was a misrepresentation around how our internet access is structured. Their argument conflated two very different layers: the access component of going online, and the content component. If you think of a layer cake, it was like they were trying to cut through both layers of the cake and serve them to consumers as slices. That would essentially be a form of Internet rationed out to users piece by piece, as opposed to a neutral Internet connection that’s essential for access to information and freedom of expression.

I wanted to make it really clear that wasn’t an accurate characterization of how the system actually works. We had to figure out how to make the Commissioners see that there are reasons we need to keep those layers distinct, going back to basic telecom principles like common carriage and non-discrimination between users in similar situations. That was something I spent a lot of time trying to think through, because they came at that argument from several different angles.

When the decision came out, the Commissioners explicitly cited some of the arguments that we had made and language we had used. Other public interest groups and individuals intervened in the case and made similar arguments — but it was important to me and I had spent so much time on it… I just had this moment of: “Yes! They got it!!”

We ended up winning the case. There’s some debate about how strongly they ruled in our favor, but they established a framework that was along the lines of what we were arguing for.



From Theft: A History of Music CC BY-NC-SA 3.0 “Where’s the line between imitation and inspiration?”

I believe the greatest threat to the Commons today is disproportionate copyright enforcement.  That has a number of effects and attacks the Commons from multiple angles.

Copyright enforcement itself is of course fine, and we need it; artists and creators should have their work protected and get due compensation for it. But when copyright enforcement becomes disproportionate, things go off the rails. That’s where you end up with mis-ranked priorities — like placing some publishers’ royalties above freedom of expression or above access to information.

So much of creation, whether it’s music or film writing, is iterative. It’s based on the past.

Disproportionate copyright enforcement also stops new things from even being created in the first place, because so much of creation, whether it’s music or film writing, is iterative. It’s based on the past.

There’s this amazing graphic novel called Theft: A History of Music about how music is based on imitation and iteration and inspiration. Where’s the line between imitation and inspiration?

If modern-day copyright laws existed in the past, it’s possible things like jazz or blues wouldn’t even exist today at all.

They would have been sued out of existence. The type of music deemed “worthy” of copyright had a racialized aspect as well. A lot of Westernized classical music, for example, was protected because the melody was considered copyrightable. But other types of music – music that was more beats-based or rhythms-based and associated with African-American musicians – the courts found was not copyrightable. That appears to be based more on a cultural difference than something inherent in the music itself. So when you have that kind of selective enforcement, is it really about creators’ rights? Or is it actually about power and concentrating control?

From Theft: A History of Music CC BY-NC-SA 3.0 “Nothing in the world is equally distributed right now”

Access to information, freedom of expression, diversity, social progress, social, political, and economic equality — all of these things are advanced by a vibrant Commons. The Commons opens up the world. It opens different aspects of the world to different groups of people for whom it might otherwise be closed.

It’s only by removing unfair barriers that we will get to a better world.

That’s so important because nothing in the world is equally distributed right now. Everything is unfairly distributed — because you happen to be born into a rich family, say, or happen to be born in Canada. A vibrant Commons is where these things come out, and it provides a way to remove some of those unfair barriers. And it’s only by removing unfair barriers that we will get to a better world.

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5 Things I’m looking forward to at the CC Global Summit

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Photo by Sebastiaan Ter Burg, CC BY

The CC Summit begins tomorrow. For the second year in a row, we’re sold out, and it’s our largest event yet. The summit is organized every year by a spectacular group of international contributors from the CC community, with stellar support from the CC staff. This year’s event was co-chaired by Claudia Cristiani of CC El Salvador, and our own Cable Green, Director of Open Education. They led the process of developing the program, working with a volunteer program group from around the world.

The CC Summit is much more than its three great keynotes and 110+ sessions: it’s full of surprises, big and small. Last year, we revealed the 3-D printed Tetrapylon, the UnCommon Women colouring book, and added Ontario’s new Chief Digital Officer Hillary Hartley as a surprise keynote. This year we have more great things in store for you. We can’t wait.

Here are five things I hope you’ll explore at this year’s summit:

The growing network

The most significant community investment we’ve ever made has been to completely redesign the CC network to enable collaborative governance and decision-making, deeper engagement, and community leadership. The affiliate network, which made CC a truly international organization, is evolving into the CC Global Network, which focuses on enabling individual contributors to collaborate in international chapters. You can sign up today to become a member, and there’s an entire track of sessions to help you get involved.

Humans of the Commons

CC board member Johnathan Nightingale often says, “It’s all made of people.” The Humans of the Commons project is an interactive listening lounge where you can drop by, get interviewed, and share your story with the rest of the Summit, Creative Commons network and the world. You’ll find them on the 2nd floor.

Sebastiaan ter Burg

With so many incredible contributors in the CC movement, it’s nice to have great photos. If you give public talks, having a headshot makes you look more professional. CC community photographer Sebastiaan ter Burg will have a photo booth set up to take individual and group shots.

Inaugural Bassel Khartabil Memorial Fellowship

Last year, we learned of the death of CC friend and community leader Bassel Khartabil. At the request of his family, we established and led the development of a fellowship in his name. With our many open community partners, we’ll be announcing the first fellow, along with a series of funded community-based projects.

More CC surprises

There are always other surprises in store, so keep your eyes and ears open. The CC staff have been working hard to create some delightful commons experiences for you, including some stellar visual and audio experiences. See you soon!

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Upcoming highlights from the CC Global Summit

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The Creative Commons Global Summit, the annual event for the promotion of open knowledge, sharing, and the Commons around the globe, kicks off on Friday in Toronto, Canada. This can’t miss event will bring together more than 450 advocates, activists, lawyers, educators, policy-makers and technologists for over 110 sessions about open education; galleries, libraries, archives, and museums (GLAM); legal and copyright reform; open access; the future of the Commons; and the Creative Commons Global Network.

CEO Ryan Merkley says, “At its heart, the CC Summit is a community event — people from all over the world built the program, selected the speakers, and will now travel to Toronto to plan the future of the collaborative commons. It’s inspiring.”

Keynotes and panels will feature Katherine Maher, Executive Director of Wikipedia / Wikimedia Foundation, Chris Bourg, Director of MIT Libraries, and Ruth L. Okediji, John Jeremiah Smith, Jr. Professor of Law at Harvard University and Co-Director of the Berkman Center for Internet and Society. Each day of the Summit, Creative Commons will launch a new project or piece of work, including the 2017 State of the Commons annual report, the official launch of the CC Certification Program for Librarians and Educators, and the much-anticipated announcement of the recipients of the Bassel Khartabil Free Culture Fellowship and Memorial Fund. The fellowship announcement will be accompanied by exclusive footage from award-winning, BAFTA nominated documentarian Yasmin Fedda, whose film “Ayouni” chronicles the lives of Khartabil and Jesuit Priest Paolo Dall’Oglio, both killed in Syria in the ongoing humanitarian crisis. Merkley will be joined via video conference by Khartabil’s widow, Syrian human rights lawyer Noura Ghazi Safadi, to present the award.

Featured sessions at the CC Summit include:

Thank you to Private Internet Access, lead sponsor of the CC Global Summit, as well as supporting sponsors: The Argosy Foundation, Top Hat, eCampus Ontario, Mozilla, Re:Create Coalition, Intellus Learning, Lumen Learning, Yoyow, and in-kind sponsors Canvas and Shareable.

Keynotes will be streamed at 11AM Friday, 10:15AM Saturday, and 10:30AM Sunday, EST, on YouTube @creativecommons. Follow the Summit on Twitter at #ccsummit.

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Katherine Maher on a generosity of spirit and contributing to the Commons

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The Wikimedia and Creative Commons communities are inextricably linked, sharing networks, content, and a vision of the world’s knowledge collaboratively governed in a Global Commons built on gratitude and sharing.

Photo by Victor Grigas, CC BY-SA 3.0

Katherine Maher has been the Executive Director of the Wikimedia Foundation since 2016, and is one of the leading advocates for Open around the world. As a leader, her centering of community voice and the Wikimedia global network, as well as a strategic vision built around Wikimedia 2030 has led to some of the organization’s most creative growth and evolution.

Katherine will be speaking on Friday, April 13 at 11AM at the CC Global Summit and will follow up her talk with a panel on “The Big Open,” exploring how networks for Open can work together collaboratively and effectively.

The Wikimedia 2030 strategic document proposes that Wikimedia become the essential infrastructure for free knowledge. What does this strategic statement mean to the Wikimedia organization and what does it mean to the movement?
Wikimedia is one of the largest and most widely used free knowledge resources in the world. More than a billion devices visit our sites every month and we have been supported by millions of people over the years. In some ways, to the extent that an open source project is successful and has a daily tangible and visible impact on people’s’ lives, Wikimedia is the definition of that success.

What we’ve also seen… is that Wikipedia is the essential infrastructure for free knowledge in many places in the world. We have stepped into that role in different language communities where free knowledge may not have as robust an ecosystem.

Both Creative Commons and Wikimedia provide valuable infrastructure for the open web. As institutions working towards complementary goals, how do you see this these organizations as part of a larger global community of open knowledge?
Like in open source, CC and Wikimedia are part of the core infrastructure – but we play different roles on the stack. More than 50% of the content across the internet relies on open source and Wikimedia is the largest website or open media property on the planet. That means that we have been successful in achieving our open goal. The Creative Commons licenses power billions of freely licensed content that is accessible to the whole world. We’ve reached a point in which our model has demonstrated its success. Now the question is, “Where do we go from there?”

As communities and projects that started based on the premise that individual contributors and individual people all over the world create and build open culture and the Commons, we now see that other institutions and players are getting involved.

As successful projects, how do we go forward from here? What’s the course that we chart?

Practically, how do you see the networks working together and sharing resources?
As Ryan [Merkley, Creative Commons CEO] likes to say, “Many Creative Commoners are Wikimedians, Mozillians, Open Street Mappers…” If you are part of an open community, the distinction between those communities is artificial.

There’s already collaboration and mutual support across these communities. What are the fights that we want to fight together and how are we more effective when we [collaborate]? How can we bring in more institutions that historically haven’t been part of our ecosystem, and how can we scale up at this size?

Those are great conversations for us to have as partners, and to learn from our successes and our failures as well, as we try to take these missions forward.

What does a vibrant, usable Commons powered by collaboration and gratitude mean to you? What do you think sharing will look like online in the future?
A vibrant Commons is something that everybody has access to and people can give back to in a meaningful way. The work of creating a Commons doesn’t just happen –there’s labor involved… When we think about the importance of supporting and ensuring that the Commons is a part of the world in which we live, that speaks to the issue of generosity.

Those people who contribute to the Commons are actually a very tiny fraction of the overall whole. Some folks contribute directly, because they contribute their work, their creations, their ideas, and others contribute financially.

But again, it’s a small group – although it is a very generous group. If we were to imagine a future in which [the Commons] is a vibrant and robust ecosystem that continues to grow and thrive, then generosity needs to be something that’s reflected by a much larger group of individuals than it is today.

And we need to be generous in return.

We need to be generous in the spirit in which we approach these conversations, in the way that we welcome people into our communities, in the way that we think about the folks who use the content that we create. Generosity flows both ways.

How do you complement the work that Wikimedia provides as a tool or a product on the open web with the community building work you’ve done as an organization?
They’re deeply interrelated. I often talk about how what makes us different is the fact that we are a community project, but what makes us powerful is the fact that we are a website that’s used by hundreds of millions of people all over the planet. I don’t think you get to have one without the other. Wikimedia would not exist without the incredible community that has built it, that supports it, that has defined its values, and that ensures we stay true to those values.

We support the websites because they are how we achieve our mission, but that support has to be in service of the people that we are trying to serve, like our community members and the people who read, use, and learn from the knowledge we support.

How is Wikimedia working toward a better web as an organization and a community? How are you working toward a better world?
To a better web – we are one of the larger open source projects that exists today and every single thing that Wikimedia produces is open source. We believe that a web that is open, interoperable, and rewriteable is the right sort of web.

We stand apart from any other platforms in that we are largely trusted, we are community governed, we present a model for what we can and should be, and we hearken back to the ideals of the early web [of sharing].

In terms of working for a better world? What animates all Wikimedians is the belief that when more people have access to knowledge the world is, in fact, a better place. People are more informed and have access to critical information that shapes the way they make decisions in their lives. They have the opportunity to educate themselves in their communities.

While we don’t necessarily say in our vision statement that “we’re out here to change the world,” that is exactly what most Wikimedians believe we’re doing every day.

The post Katherine Maher on a generosity of spirit and contributing to the Commons appeared first on Creative Commons.

“This is all about Sharing“

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“This is all about sharing”
By Sebastiaan Ter Burg, CC BY-SA Aris Maro on the power of networking, librarians, and sharing African knowledge with the world

Aristarik Hubert Maro is the CC Tanzania Public Lead, an executive secretary at the Tanzania Library Association, and a PhD candidate at University Dar es Salaam. In advance of the Creative Commons Global Summit, we’re gathering the stories of humans working around the world to shape the Commons’ future. We want to share your story, too – drop by the “Humans of the Commons” listening lounge at the Summit to get interviewed and add your voice. Here’s an edited transcript of Aris’ story:

I was part of the team that founded Creative Commons in Tanzania. Since that time, we’ve created a large network and come to know so many people. To me, that’s the greatest strength of my involvement with CC; I’ve gotten to connect not only with people from Tanzania, but also people from around the world.

I now have friends in places like South Africa, Kenya, Nigeria – and colleagues in South Korea and Canada, where I attended previous summits. If it weren’t for Creative Commons, I wouldn’t have met these people. The success is the power of networking.

Creative Commons has become a big part of my life, especially when I’m talking about issues of shared data and licenses. That’s why I’ve decided to focus my PhD research on Creative Commons licenses. And why it’s a big honor for me to be able to represent Tanzania at the Creative Commons Summit in Toronto.

A CC Advocacy training at Lugalo Secondary School, Iringa region Librarians as “masters of learning”

When I first started organizing trainings and events about Creative Commons, people wondered: “Why is this librarian talking about sharing and licenses and the like?” Most people used to think that librarianship was just about books, books, books. But today, Creative Commons has helped people perceive librarianship as part and parcel of technology.

Creative Commons has helped me change people’s perceptions about librarianship in the country.

You can’t separate librarianship today – or library teaching or information science – from technology. People are coming to realize that libraries are where this knowledge is stored, and that if you want to access knowledge on just about anything, whether through old technologies or new, the library can provide that.

This is all about sharing. Librarians are becoming more like “masters of learning.” And if you empower librarians with high-tech skills, it’s a completely different story. This is the direction we are going. My work with CC has helped bring us to that level.

Creative Commons Tanzania and Open University of Tanzania donating computers to Kumbukumbu Primary School in Dar es Salaam Sharing local knowledge and skills globally

One of the biggest challenges we face in Tanzania is knowledge around how best to utilize technology – especially when technology is moving and changing so fast. Each night when you go to sleep, you wake up to find that everything you knew has changed completely. This has been the biggest challenge in my work: getting people access to the knowledge and know-how they need when the pace of change is so fast.

You cannot talk about a better world today without talking about technology, and about the sharing of technology.

One of the greatest challenges to the Commons that I see is understanding of the licenses by the majority of the African continent. If we are able to reach out to all of the creators – the artists, the musicians, the writers – in the grassroots, in different places, in the rural areas, that will be a great opportunity for Creative Commons.

I want to ensure we aren’t leaving out the potential creators and creative people in the grassroots. There are so many new platforms where we can share their viewpoints and demonstrate their skills and knowledge. Creative Commons has a big part to play to make sure that all of the achievement of these people, their creativity and skills, can be shared globally. We need to reach out to ensure African knowledge and skills are shared globally.

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Derecho de autor en el tratado de libre comercio Mercosur-Unión Europea: pocas mejoras y muchos retrocesos

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Publicado originalmente en inglés el 6 de abril de 2018. Traducción: Equipo de CC Uruguay.

Un borrador recientemente filtrado del tratado de libre comercio Mercosur-Unión Europea muestra pequeñas mejoras en el capítulo sobre propiedad intelectual. Parece que la extensión innecesaria e injustificada de 20 años de duración del derecho de autor ahora se elimina del acuerdo, y las partes han introducido cierta flexibilidad para que los usuarios eviten las medidas tecnológicas de protección con el fin de ejercer sus derechos. Pero en su mayor parte, las negociaciones continúan favoreciendo un mayor endurecimiento de los derechos de autor a expensas de las protecciones para los derechos de los usuarios y los bienes comunes. Como explicamos a continuación, las medidas para proteger el dominio público continúan diluidas, la disposición que requiere una compensación obligatoria -independientemente de que los creadores la quieran o no- se mantiene y la sección de excepciones y limitaciones al derecho de autor se reduce a un mínimo.

El año pasado, en colaboración con varios capítulos de nuestra red global, Creative Commons publicó un análisis que abarca diversos temas relacionados con el derecho de autor presentados en un borrador del capítulo de propiedad intelectual del tratado de libre comercio Mercosur-UE.

La Unión Europea (UE) y el Mercosur han estado negociando este tratado de libre comercio (TLC) desde el año 2000. El tratado es expansivo y se ocupa de aspectos tan dispares como el comercio de bienes industriales y agrícolas, cambios potenciales a las reglas que rigen a las pequeñas y medianas empresas, compras gubernamentales y disposiciones de propiedad intelectual, incluyendo los derechos de autor y las patentes. En nuestro análisis del año pasado, examinamos cuestiones que afectarían el dominio público, la creatividad y el intercambio de conocimiento, así como los derechos de los usuarios en la era digital.

Las negociaciones del TLC entre el Mercosur y la UE tienen lugar en un entorno en el que se está definiendo de manera creciente la regulación de derecho de autor a través de acuerdos comerciales multilaterales. En nuestro informe, los principales puntos que discutimos fueron los siguientes:

  • los plazos de derecho de autor no deben extenderse,
  • los derechos de los usuarios deben protegerse expandiendo las limitaciones y excepciones al derecho de autor,
  • la remuneración obligatoria interfiere con el licenciamiento Creative Commons,
  • las medidas tecnológicas de protección no deben limitar el ejercicio de los derechos de los usuarios.

También recordamos el principio de sentido común según el cual las negociaciones de tratados comerciales deben ser transparentes e involucrar a la ciudadanía, no secretas y decididas a puerta cerrada.

Desde nuestro análisis del año pasado, ha habido dos nuevos borradores filtrados del capítulo sobre propiedad intelectual. Uno fue publicado por Greenpeace en diciembre de 2017 en base a la 28ª ronda de negociaciones. Otro fue publicado la semana pasada por el sitio web bilaterals.org, basado en el texto consolidado tal como quedó al final de la 32ª ronda de negociaciones que finalizó el mes pasado.

Como Jorge Gemetto escribió en el blog de la Asociación Communia, el borrador del capítulo de propiedad intelectual filtrado por Greenpeace reveló un gran desacuerdo entre las partes.

Se advierte fácilmente que, mientras el interés de la Unión Europea es el de aumentar los plazos y áreas de protección de la propiedad intelectual, así como imponer nuevas sanciones penales para las infracciones, los países del Mercosur buscan evitar estándares más altos de propiedad intelectual, incorporar excepciones y limitaciones obligatorias al derecho de autor, y favorecer la identificación y protección del dominio público.

Como lo advierte Gemetto, existe un gran desbalance entre el poder de negociación de cada parte, y la UE claramente tiene la ventaja. Estando la UE ya alineada con el marco restrictivo de propiedad intelectual “TRIPS Plus“, busca exportar a otros lugares estas medidas de incremento de la protección y su aplicación.

Finalmente, llegamos al borrador del capítulo de propiedad intelectual filtrado recientemente que publicó bilaterals.org. Hay algunos cambios importantes desde la versión publicada por Greenpeace.

La mención del dominio público se diluirá y quedará sepultada

La filtración de Greenpeace de diciembre de 2017 encontró que las partes discutían si (y cómo) debía mencionarse el apoyo al dominio público en el Artículo 4 (Principios). La UE propuso el texto: “Las Partes reconocen la importancia de un dominio público robusto, rico y accesible”, mientras que los países del Mercosur abogaron por: “Las Partes tendrán debidamente en cuenta la necesidad de preservar un dominio público robusto, rico y accesible, y cooperarán entre sí para identificar los diferentes materiales que han ingresado en dominio público”.

La versión de la UE ganó. El texto consolidado compartido por bilaterals.org ahora dice: “Las Partes reconocen la importancia de un dominio público robusto, rico y accesible”. Además, una nota en el documento mueve el texto de la sección “Principios” a la sección “Cooperación”.

La remuneración obligatoria permanece

La borrador anterior, publicado por Greenpeace, mostraba que las partes discutían si habría una remuneración obligatoria (Artículo 9.6) para los intérpretes, ejecutantes y productores de música. La UE quería que el texto dijera: “Las Partes otorgarán un derecho para garantizar que el usuario pague una única remuneración equitativa a los artistas intérpretes o ejecutantes y productores de fonogramas, si un fonograma publicado con fines comerciales, o una reproducción de dicho fonograma, se utiliza para la transmisión por medios inalámbricos o para cualquier comunicación al público.” El Mercosur quería que este derecho fuera opcional, sugiriendo que el texto dijera: “Las Partes pueden otorgar…”.

La versión de la UE ganó. El texto consolidado ahora dice “otorgarán”. Este cambio muestra un esquema que se repite en las negociaciones: las disposiciones que tienen que ver con la aplicación de la propiedad intelectual y la protección de los titulares de derechos son obligatorias (“deberán”), mientras que las disposiciones que beneficiarían a los usuarios y al interés público son solo opcionales (“pueden”). Este tipo de disposición interferiría con el funcionamiento de algunas licencias Creative Commons, exigiendo un pago incluso cuando la intención del autor es compartir su trabajo creativo con el mundo de forma gratuita.

La extensión del plazo de derecho de autor fue puesta en suspenso

El borrador filtrado por Greenpeace reveló que las partes continuaban discutiendo sobre el plazo de derecho de autor (Artículo 9.7). La UE quería la vida de autor + 70 años, mientras que el Mercosur quería la vida + 50 años.

El texto consolidado ahora dice “transcurrirá durante la vida del autor y no menos de 50 años o por 70 años cuando así lo disponga la legislación nacional de las Partes…”.

La versión del Mercosur ganó porque el texto indica que se aplicarán los términos nacionales existentes. Esta es una mejora significativa en el sentido de que no obliga a aumentar el plazo a los países que tienen un plazo más corto. Ampliar aún más los plazos de derecho de autor no hace nada por promover la creación de nuevas obras, e incluso exacerba los desafíos relacionados con los plazos extensos, como el problema de las obras huérfanas.

Las excepciones y limitaciones fueron reducidas al mínimo

La filtración de Greenpeace mostró que las partes discutían sobre el alcance de la sección sobre limitaciones y excepciones (Artículo 9.9). El Mercosur quería incluir una lista no exhaustiva de usos aceptables para ser cubiertos bajo limitaciones y excepciones, incluyendo la crítica, la cobertura de noticias, la enseñanza y la investigación.

Sin embargo, el texto consolidado publicado por bilaterals.org no incluye la lista no exhaustiva. En su lugar, esencialmente vuelve a apoyarse en el texto de la regla de los tres pasos (“Cada Parte establecerá excepciones y limitaciones a los derechos exclusivos solo en ciertos casos especiales que no entren en conflicto con la explotación normal de la obra y no perjudiquen injustificadamente los intereses legítimos de los titulares de derechos”).

La protección del derecho de autor y las medidas de aplicación de dicha protección siempre deben equilibrarse con consideraciones de interés público; en otras palabras, los derechos de los autores siempre deben limitarse, reconociendo y defendiendo los derechos de los usuarios en el ecosistema del derecho de autor. El texto consolidado solo proporciona una mínima consideración para los derechos de los usuarios.

Una cierta flexibilidad para ejercer los derechos bajo los esquemas de medidas tecnológicas de protección

Por último, la versión publicada por Greenpeace reveló que la UE estaba proponiendo un nuevo texto en torno a las medidas tecnológicas de protección (TPM, por sus siglas en inglés) (Artículo X.15). En ese borrador anterior, no se incluía ningún texto que autorizara a eludir las medidas tecnológicas para que un usuario pueda ejercer sus derechos bajo una excepción o limitación.

Sin embargo, el texto consolidado ahora incluye el siguiente texto: “Las Partes (UE: cuando sea permisible de conformidad con su legislación nacional) deberán (UE: podrán) garantizar que los titulares de derechos pongan a disposición del beneficiario de una excepción o limitación los medios para beneficiarse de esa excepción o limitación, en la medida necesaria para beneficiarse de esa excepción o limitación”. Por lo tanto, parece que habrá al menos alguna consideración legal para proteger la capacidad de los usuarios de eludir las TPM para ejercer sus derechos bajo una excepción o limitación.

Conclusión

Si bien es positivo que al menos las partes están llegando a la conclusión de renunciar a la extensión innecesaria del plazo de derecho de autor, la mayoría de los cambios en el texto consolidado muestran un persistente endurecimiento de la protección del derecho de autor, que favorece a los titulares de derechos a expensas de los usuarios y de los bienes comunes.

Además, las negociaciones siguen siendo esencialmente secretas y cerradas, con escaso conocimiento público salvo estas útiles filtraciones, y con pocas oportunidades para que la ciudadanía exprese sus preocupaciones. Es preciso reformar las negociaciones para apoyar plenamente un proceso que sea transparente, inclusivo y responsable.

The post Derecho de autor en el tratado de libre comercio Mercosur-Unión Europea: pocas mejoras y muchos retrocesos appeared first on Creative Commons.

Direito autoral no tratado comercial Mercosul-UE: poucas melhoras e muitos retrocessos

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Publicado originalmente em inglês em 6 de abril de 2018. Tradução: Ana Luiza Araújo

Uma proposta recém vazada do tratado de livre comércio entre o Mercosul e a União Europeia mostra pequenas melhorias no capítulo sobre propriedade intelectual. Agora parece que a extensão desnecessária e injustificada dos prazos de direito de autor por 20 anos não está mais no tratado, e as partes introduziram alguma flexibilidade para que os usuários contornem as medidas técnicas de proteção com o objetivo de exercer seus direitos. Mas, em sua maior parte, as negociações continuam a favorecer um maior endurecimento do direito de autor às custas das proteções de direitos dos usuários e dos bens comuns. Como explicaremos abaixo, as medidas para apoio do domínio público continuam a ser diluídas, a cláusula que requer a compensação obrigatória — indiferentemente se o criador a deseja ou não — está mantida, e a seção que delimita as exceções e limitações aos direitos autorais foi reduzida ao mínimo.

No ano passado, em colaboração com diversos parceiros de nossa rede global, a Creative Commons publicou uma breve análise de políticas, cobrindo diversos problemas relacionados ao direito de autor em um esboço do capítulo sobre propriedade intelectual do tratado de livre comércio Mercosul-UE.

A União Europeia (UE) e o sub-bloco regional da América Latina, formado por Argentina, Brasil, Paraguai e Uruguai (o Mercosul) vêm negociando um tratado de livre comércio (TLC) desde o ano 2000. O TLC UE-Mercosul é amplo, abarcando o comércio de bens industriais e agrícolas, potenciais mudanças nas regras aplicáveis a pequenas e médias empresas e às compras públicas, e provisões sobre propriedade intelectual como patentes e direito de autor. Nessa análise, nós examinamos as questões que afetariam o domínio público, a criatividade e o compartilhamento, e os direitos de usuário na era digital.

As negociações do TLC Mercosul-UE acontecem em um ambiente no qual as políticas de direito de autor se estabelecem de maneira crescente por meio de acordos de comércio multilaterais. Dentre os principais pontos defendidos em nossa análise, destacamos os seguintes:

  • Os prazos de proteção do direito de autor não devem ser estendidos;
  • Os direitos dos usuários devem ser protegidos mediante a expansão das limitações e exceções;
  • A remuneração obrigatória interfere com o licenciamento em Creative Commons;
  • Medidas de proteção tecnológica não devem limitar o exercício dos direitos dos usuários.

Nós também compartilhamos do princípio de senso comum de que negociações para acordos comerciais devem ser transparentes e incluir o público, não secretas e decididas atrás de portas fechadas.

Desde a nossa análise, mais duas versões provisórias do capítulo sobre propriedade intelectual foram vazadas. Uma foi publicada pelo Greenpeace em dezembro de 2017, com base na 28ª rodada de negociações. Outra foi publicada na última semana pelo site  bilaterals.org, com base no texto consolidado ao final da 32ª rodada de negociações que teve fim em março.

Como escreveu Jorge Gemetto no blog da Communia Association, o texto do capítulo sobre propriedade intelectual revelado pelo Greenpeace mostrou um significativo desentendimento entre as partes.

É fácil perceber que, enquanto o interesse da União Europeia é o de aumentar os prazos e áreas de proteção da propriedade intelectual, assim como impor novas penas para as infrações, os países do Mercosul procuram evitar padrões mais altos de propriedade intelectual, incorporar limitações e exceções obrigatórias para o direito de autor, e favorecer a identificação e proteção do domínio público.

Como adverte Gemetto, há uma grande discrepância entre os poderes de negociação de cada parte, com a UE claramente tendo a vantagem. E com a UE já alinhada com o restritivo marco regulatório “TRIPS Plus”, há uma procura por exportar essas medidas mais duras de proteção e aplicação em outros lugares.

Por fim, chegamos ao capítulo mais recente sobre propriedade intelectual publicado pela organização bilaterals.org, no qual temos algumas mudanças notáveis desde a versão do Greenpeace.

A menção ao domínio público será diluída e enterrada

A versão vazada pelo Greenpeace (em dezembro de 2017) revelou a discussão entre as partes sobre se (e como) deveria haver uma menção de apoio ao domínio público no Artigo 4 (Princípios). A UE propôs a linguagem “As Partes reconhecem a importância de um domínio público robusto, rico, e acessível”, enquanto os países do Mercosul defenderam a redação “As Partes levarão devidamente em conta a necessidade de preservar um domínio público robusto, rico e acessível, e devem cooperar mutuamente para identificar os diferentes materiais que ingressaram no domínio público.”

A versão da UE ganhou. O texto consolidado compartilhado pela bilaterals.org agora diz “As Partes reconhecem a importância de um domínio público robusto, rico, e acessível”. Além disso, uma nota no documento muda o texto da seção de “Princípios” para a seção de “Cooperação”.

A remuneração obrigatória fica

A versão anterior publicada pelo Greenpeace mostrava que as partes estavam discutindo se haveria a remuneração obrigatória (Artigo 9.6) para os intérpretes, músicos executantes e produtores musicais. A UE queria que a redação do texto fosse “As Partes conferem um direito para garantir que uma única remuneração equitativa seja paga pelo usuário aos intérpretes, músicos executantes e produtores de fonogramas, se um fonograma for publicado para fins comerciais, ou a reprodução de tal fonograma for utilizada para a difusão por meios sem fio ou para qualquer comunicação ao público.” Os países do Mercosul queriam apenas fazer deste um direto opcional, sugerindo que o texto fosse “As Partes poderão conferir…”

A versão da UE venceu. O texto consolidado diz “conferem”. Essa mudança repete um tema comum visto entre as negociações: cláusulas que se referem à aplicação da propriedade intelectual e à proteção dos detentores de direitos incumbentes são obrigatórias (“devem”), enquanto cláusulas que iriam beneficiar os usuários e o interesse público são apenas opcionais (“podem”). Este tipo de arranjo poderia interferir na operação de algumas licenças de Creative Commons ao exigir um pagamento mesmo quanto a intenção do autor seja o compartilhamento de seu trabalho criativo com o mundo de graça.

A extensão do prazo do direito de autor foi posta em suspensão

O texto provisório revelado pelo Greenpeace mostrava que as partes continuaram a discutir sobre os prazos do direito de autor (Artigo 9.7). A UE queria direitos vitalícios + 70 anos, enquanto os países do Mercosul os mesmo vitalícios + 50 anos.

O texto consolidado agora diz “transcorrerá durante a vida do autor e por não menos do que 50 ou 70 anos quando assim prover a legislação nacional das Partes…”.

A versão do Mercosul venceu porque o texto afirma que se aplicarão os termos nacionais existentes. Essa é uma melhora significativa no sentido de que não exige que os países com prazos mais curtos aumentem-os para o prazo mais longo. Estender ainda mais os prazos do direito de autor não faz nada para promover a criação de novos trabalhos, e até exacerba os desafios relacionados com prazos maiores, como o problema de obras órfãs.

Exceções e limitações reduzidas ao mínimo

A versão do Greenpeace mostrou que as partes estavam discutindo sobre o escopo da seção sobre limitações e exceções (Artigo 9.9). O Mercosul queria incluir uma lista não-exaustiva de usos aceitáveis a serem cobertos sob as limitações e exceções, incluindo críticas, notícias, educação, e pesquisa.

No entanto, o texto consolidado publicado pela bilaterals.org não inclui a lista não-exaustiva. Ao invés disso, ele essencialmente volta a se apoiar no texto da regra dos três passos (“Cada Parte irá estabelecer exceções e limitações para os direitos exclusivos apenas em certos casos especiais que não entrem em conflito com a exploração normal da obra e não prejudiquem de maneira injusta os interesses legítimos dos titulares de direitos”).

Medidas de proteção e aplicação dos direitos de autor devem sempre ser equilibradas com considerações do interesse público; em outras palavras, os direitos dos autores devem sempre ser moderados, reconhecendo-se e defendendo-se os direitos dos usuários no ecossistema dos direitos de autor. O texto consolidado somente provê o mínimo de considerações para os direitos de usuários.

Alguma flexibilidade para o exercício de direitos sob os esquemas de medidas tecnológicas de proteção

Por último, a versão do Greenpeace revelou que a UE estava propondo uma nova linguagem sobre medidas tecnológicas de proteção (Artigo X.15). Neste esboço anterior, não havia a inclusão de um texto que permitisse qualquer circunvenção de medidas tecnológicas para que um usuário possa exercer seus direito sob uma exceção ou limitação.

No entanto, o texto consolidado agora inclui a seguinte linguagem: “As Partes (UE: quando for permitido de acordo com suas leis nacionais) deverão (UE: poderão) garantir que os detentores de direito deixem à disposição do beneficiário de uma exceção ou limitação, na medida necessária para beneficiar-se dessa exceção ou limitação”. Então, parece que haverá pelo menos alguma consideração legal para proteger a capacidade de usuários de contornar as medidas tecnológicas de proteção para exercer seus direitos sob uma exceção ou limitação.

Conclusão

Ao mesmo tempo em que é positivo que ao menos as partes estejam chegando à conclusão de renunciar à desnecessária extensão do prazo dos direitos de autor, a maioria das mudanças na versão consolidada do texto mostra um contínuo endurecimento da proteção do direito autoral, o que favorece os titulares de direitos às custas dos usuários e dos bens comuns.

Além disso, as negociações continuam essencialmente secretas e fechadas, com pouco conhecimento público, salvo por esses úteis vazamentos, e poucas oportunidades para o público expresse suas preocupações. As negociações devem ser reformadas para apoiar plenamente um processo que seja transparente, inclusivo, e responsável.

 

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Copyright in Mercosur-EU trade agreement: A little better, but mostly worse

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A recently-leaked draft of the Mercosur-EU free trade agreement shows minor improvements to the chapter on intellectual property. It appears that the unnecessary and unwarranted 20 year copyright term extension is now dropped from the agreement, and the parties have introduced some flexibility for users to get around technical protection measures in order to leverage their rights. But for the most part, the negotiations continue to favor increased tightening of copyright at the expense of protections for user rights and the commons. As we explain below, measures to support the public domain continue to be watered down, the provision which requires mandatory compensation—whether creators want it or not—is retained, and the section outlining exceptions and limitations to copyright is pulled back to a minimum.

Last year, in collaboration with several partners from our global network, Creative Commons published a brief policy analysis covering several copyright-related issues presented in a draft of the intellectual property chapter of Mercosur-EU free trade agreement.

The European Union (EU) and the Latin American sub-regional bloc consisting of Argentina, Brazil, Paraguay, and Uruguay (Mercosur) have been negotiating this free trade agreement (FTA) since 2000. It’s expansive, addressing trade in industrial and agricultural goods, potential changes to rules governing small- and medium-sized businesses as well as government procurement, and intellectual property provisions such as copyrights and patents. We examined issues that would affect the public domain, creativity and sharing, and user rights in the digital age.

The Mercosur-EU FTA negotiations take place in an environment where an increasing level of copyright policy is being constructed through multilateral trade agreements. In our policy brief, the main points we argued included the following:

  • copyright terms should not be extended
  • user rights must be protected by expanding limitations and exceptions
  • mandatory remuneration interferes with CC licensing
  • technical protection measures must not limit the exercise of user rights

We also echoed the longstanding commonsense principle that trade agreement negotiations must be transparent and involve the public, not secret and decided behind closed doors.

Since our analysis, there has been two subsequent leaked drafts of the chapter on intellectual property. One was published by Greenpeace in December 2017 based on the 28th round of negotiations. Another was published last week by the website bilaterals.org, based on the consolidated text as it stood at the completion of the 32nd round of negotiations which ended last month.

As Jorge Gemetto wrote on the Communia Association blog, the text of the IP chapter leaked by Greenpeace showed significant disagreement between the parties.

It is easy to see that, while the interest of the European Union is to increase the terms and scope of IP protection, as well as to impose new penalties on infringement, Mercosur countries seek to avoid higher IP standards, incorporate mandatory limitations and exceptions to copyright, and favor the identification and protection of the public domain.

As Gemetto warns, there’s a big discrepancy in the bargaining power leveraged by each party, with the EU clearly holding the upper hand. And with the EU already aligned with the more restrictive “TRIPS Plus” IP framework, they’re looking to export these increased protection and enforcement measures elsewhere.

Finally, we arrive to the recent leaked intellectual property chapter published by bilaterals.org. There are a few notable changes since the Greenpeace version.

Mention of public domain will be watered down, and buried

The Greenpeace leak (Dec 2017) found the parties arguing whether (and how) there should be a mention of support for the public domain in Article 4 (Principles). The EU sought the language, “The Parties recognise the importance of a robust, rich, and accessible public domain,” while the Mercosur countries (MCS) advocated for, “The Parties shall take due account of the need to preserve a robust, rich, and accessible public domain, and shall cooperate with each other in identifying subject matters that have fallen into the public domain.”

The EU version won. The consolidated text shared by bilaterals.org now reads “The Parties recognise the importance of a robust, rich, and accessible public domain”). In addition, a note on the document moves the text from the “Principles” section to the “Cooperation” section.

Mandatory remuneration stays

The earlier Greenpeace version showed that the parties were arguing whether there will be mandatory remuneration (Article 9.6) for performers and producers of music. The EU wanted the text to read “The Parties shall provide a right in order to ensure that a single equitable remuneration is paid by the user to the performers and producers of phonograms, if a phonogram published for commercial purposes, or a reproduction of such phonogram, is used for broadcasting by wireless means or for any communication to the public.” MCS wanted to only make this right optional, suggesting that the text should read “The Parties may…”

The EU version won. The consolidated text now reads “shall.” This change repeats a common theme seen within the negotiations: provisions that have to do with enforcement and protecting incumbent rights holders are mandatory (“shall”), while provisions that would benefit users and the public interest are only optional (“may”). This type of arrangement would interfere with the operation of some Creative Commons licenses by requiring a payment even when the intention of the author is to share her creative work with the world for free.

Copyright term extension put on hold

The draft leaked by Greenpeace found that the parties continued to argue about copyright term (Article 9.7). EU wanted life + 70 years, while MCS life + 50.

The consolidated text now reads “shall run for the life of the author and not less than 50 years or for 70 years where the domestic legislation of the Parties so provides…”.

The MCS version won because the text states that existing national terms will apply. This is a significant improvement in that it doesn’t require the countries with the shorter term to increase to the longer term. Further extending copyright terms does nothing to promote the creation of new works, and even exacerbates related challenges, such as the orphan works problem.

Exceptions and limitations pulled back to a minimum

The Greenpeace leak showed that the parties were arguing about the scope of the section on limitations and exceptions (Article 9.9). MCS wanted to include non-exhaustive list of acceptable uses to be covered under limitations and exceptions, including for criticism, news reporting, teaching, and research.

However, the consolidated text published by bilaterals.org does not include the non-exhaustive list. Instead, it mostly goes back to relying on the 3-step test language (“Each Party shall provide for exceptions and limitations to the exclusive rights only in certain special cases which do not conflict with a normal exploitation of the subject matter and do not unreasonably prejudice the legitimate interests of the right holders.”).

Copyright protection and enforcement measures should always be balanced with public interest considerations; in other words, the rights of authors should always be tempered by recognizing and upholding the rights of users in the copyright ecosystem. The consolidated text only provides the bare minimum consideration for users rights.

Some flexibility to exercise rights under TPM schemes

Finally, the Greenpeace version found that the EU was proposing new language around technological protection measures, or TPMs (Article X.15). In that earlier draft, there was no inclusion of text that permits any circumvention of technological measures in order for a user to exercise their rights under an exception or limitation.

However, the consolidated text now includes the following language: “The Parties (EU: where permissible in accordance to their domestic law) shall (EU: may) ensure that right holders make available to the beneficiary of an exception or limitation the means of benefitting from that exception or limitation, to the extent necessary to benefit from that exception or limitation.” So it appears that there will be at least some legal consideration to protect the ability of users to circumvent TPMs in order to exercise their rights under an exception or limitation.

Conclusion

While it’s positive that at least the parties are coming to the conclusion to forego the gratuitous copyright term extension, most of the changes in the consolidated text show a continued tightening of copyright protections that favor incumbent rights holders at the expense of users and the commons.

Furthermore, the negotiations remain mostly secretive and closed, with little public knowledge save for these helpful leaks, and few opportunities for the public to voice their concerns. The negotiations must be reformed to fully support a process that is transparent, inclusive and accountable.

The post Copyright in Mercosur-EU trade agreement: A little better, but mostly worse appeared first on Creative Commons.

Chris Bourg on the Compelling Vision for an Open Digital Commons

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Chris Bourg, by L. Barry Hetherington, available under a CC-BY license

MIT Libraries Director Chris Bourg is one of the most salient voices in the library community for open access, diversity and inclusion, ethics in scholarly publishing, and social justice. As a keynote speaker for this year’s CC Global Summit, she’ll be discussing the nuances of the Open movement as an advocate for the digital commons and director of a major open access initiative.

Chris’s tweets and blog are must-follows – her dog, Jiffy, is an adorable and frequent guest star. In this interview, she discusses tech optimism, storytelling, diversity, and the fallacy of neutrality. Join Chris and more than 400 open advocates at the CC Global Summit in Toronto from April 13-15.

As an open movement, it’s become difficult to live our values as the web’s content Commons have become increasingly enclosed and the halcyon days of internet utopianism seem long over. As a prominent figure in the movement and a crusader for open, how can we do better? What are tangible and intangible steps we can take to move the needle? How can libraries play a role?
I think that generally speaking, I’m an optimist, but not a tech utopian. So I think we keep focusing on the ultimate goal and reasons for promoting an open digital commons. There are compelling stories to be told about the harms of information scarcity and knowledge monopolies, and there are equally compelling stories about ways in which open access to knowledge and culture helps us solve big (and small) challenges across the globe. We have to unearth and tell those stories, and bring more people and communities in to the cause. In some ways, the increasing commercialization of not just scholarship, but of our own personal, social, and behavioral data may be the wake-up call that leads to the next wave of organizing around creating a truly open, non-commercial, digital commons. I think libraries can play a role by acting as the trusted facilitators of information creation, exchange, and preservation that we have always been. A digital commons that combines the values of openness and sharing with the values of privacy and informed choice sounds an awful lot like a library to me – or at least the kind of network of libraries that many of us aspire to create and maintain.

In your position as Director of MIT Libraries, you are an outspoken advocate for open access and knowledge resources. The question of why libraries need to stand up for open access has been answered in a variety of places, but why are the MIT libraries central to this fight?
A big part of what drew me to this job at MIT is the fact that MIT, and the MIT libraries in particular, combine a strong cultural commitment to openness with an equally strong commitment to building the infrastructure needed to openly share knowledge resources. MIT has led before in making the fruits of its research and teaching open to the world; with Harvard in 2008 and 2009 on passing Faculty Open Access Policies, and before by launching Open CourseWare in 2000, with the mission of sharing all of MIT’s course content online, for free. When the MIT Faculty passed the OA policy in 2009, they turned to the libraries to implement the policy. The libraries at MIT have long been seen as a key player in facilitating the dissemination of MIT research to the world, and frankly, we’ve been pretty good at it. Nearly 50% of MIT faculty journal articles written since 2009 are openly available to the world – that’s nearly 27,000 articles, downloaded nearly 9.5 million times.

We are in a great position in the MIT libraries to be able to partner with leading scholars across the Institute, in Engineering, Sciences, Business, Humanities and Social Sciences, and Architecture and Planning, to strategize on what’s next for open access. Through the work of the recently launched Ad hoc Task force on Open Access to MIT’s Research, which I am co-chairing with Electrical Engineering and Computer Science Professor and founding director of Creative Commons, Hal Abelson, we are basically asking what’s next? How can we push the needle further, and how can MIT continue to lead? Creating a more open scholarly record will require changes at the technological, legal/regulatory, political, and social levels; so our task force has experts from all those perspectives represented. We are also reaching out to experts across the globe to inform our recommendations.

We talk a lot in libraryland about whether the open access movement and/or institutional repositories have been successful, but/and I think what MIT has been able to do in getting nearly 50% of the journal articles of our faculty in our open repository is a compelling success story. And that success story is an MIT Libraries story, so I feel some obligation to build on that success and to leverage it for the broader community of libraries and other organizations who share the goal of opening up our cultural and scholarly heritage to a global audience.

In his ALA talk this year, Junot Diaz pulled no punches when it came to the issues of diversity in libraries. “I wish that libraries would finally have a reckoning and know that [staffs that are] 88% white means 5000% percent agony for people of color, no matter how liberal and enlightened you think you are,” he said. You cited this quote in a recent talk as well. In your opinion, how can we do better as a movement for free and open knowledge? As librarians, researchers, scientists, and artists? How can we, in his words, “decolonize libraries,” or in the parlance of this conference, “decolonize open?”
I think we always have to ask who and what is missing, and continue to work to not just be more inclusive, but also to decenter white, western knowledge; and center the knowledge of marginalized communities.

But/and, instead of doing it ourselves we need to look to the people who are doing this work in and with those communities. Two examples I love are the work being done by Anasuya Sengupta and her colleagues at whoseknowledge.org, and P. Sanaith’s work creating and maintaining the People’s Archive of Rural India.

Decolonizing scholarship and decolonizing the web will require radical collaboration across many social, geographical, and political divides; and will have to be based on mutual exchanges of knowledge and skills. All of that requires trust, which is something that takes time to build and is based on relationships and authentic human connection. So if we want to decolonize open, then maybe we need to decolonize our social networks first.

One of the longest running and most frustrating conversations within libraries is whether they are “neutral.” (As you write, you are strongly on the “hell no” side.) Can you speak to the politics of neutrality within open, and particularly as it regards seemingly “neutral” actors like CC licenses and libraries? How does the conversation about “neutrality” relate to issues of diversity and inclusion within the free knowledge movement?
I don’t think of CC licenses or libraries as neutral. They are both predicated on the idea that people ought to have the ability to freely create, share, and access knowledge and cultural materials. That’s actually a pretty radical idea. Even if CC licenses and libraries can be and are used to provide access to a huge range of ideas and viewpoints, that doesn’t make them neutral. One of the arguments I make is that you can’t be neutral if one side argues that certain ideas should not be available in libraries (whether those ideas are contained in books representing LGBTQ families, or in gatherings of neo-Nazis) and another side argues that you have to include all ideas and viewpoints. You can’t satisfy both sides – you can’t keep the LGBTQ book and not keep the LGBTQ book at the same time. I may start calling this the Schrodinger’s Library argument against neutrality.

The fact that libraryland continues to have these debates about neutrality is really frustrating, and is very much related to issues of diversity and inclusion. So many of the library debates about neutrality are theoretical and academic and detached, and I think that reflects the stark lack of diversity in our profession. Too often the argument that it is a moral imperative for libraries to represent all sides of an issue, and to serve all patrons regardless of beliefs, come from a position of privilege and relative safety. For marginalized folks, it can feel like these debates about neutrality are really debates about whether we have to honor and engage with people who deny our very humanity and seek our destruction. Many of us would argue that allowing those who deny the humanity and basic dignity of others to coopt the legitimacy of our libraries and our profession to spread their hatred and intimidation is not in any way a neutral choice.

What is the need for Creative Commons today and why are you coming to keynote the Summit?
What I love about Creative Commons and the CC community is that it is driven by a compelling vision of an open digital commons, and that it provides the tools for people across the globe to choose how they want to participate in that commons. That combination of an abiding belief that openly accessible culture and knowledge are good for society, with a commitment to honoring individual choice is powerful; and it resonates with what I think is needed to advance the perpetual project of decolonizing and opening up the internet.

The post Chris Bourg on the Compelling Vision for an Open Digital Commons appeared first on Creative Commons.

PLOS Update

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When I was appointed PLOS’ CEO last year, I committed myself to transparency with the communities we serve. That’s why, while this is a difficult blog to write, it’s important for me to share that I am making the hard decision to eliminate 18 positions at PLOS. Much of this is related to a strategic decision to shift from developing a proprietary platform for submissions to creating innovation partnerships with a wider community (Most readers are already aware of this from my previous blog.) It’s also driven by the need to be fiscally responsible and remain a sustainable nonprofit organization that continues to lead transformations in scientific communications.

I’d like to reiterate what we’ve communicated internally. Our people and their passion are the most important part of what makes PLOS so special. The people whose roles have been eliminated are all excellent at what they do, and their leaving is a result of operational decisions, not performance.

Moving forward, we’ll be a leaner organization. This doesn’t mean we won’t continue to fully support our researchers and scientists. We’ve been careful in where we’ve streamlined operations and those who engage with us should not see any disruption.

This is a pivotal moment in the life of PLOS and Open Access (OA) as it was envisioned by our founders 17 years ago. While OA has seen strong adoption, much has evolved in the landscape. Changing how and when we share, access and evaluate all research outputs is more critical to science than ever. It will take many of us working together, in various forms of partnership, to accelerate and advance a culture and ecosystem of open innovation.

Over the past two decades, I’ve been part of multiple transformations in publishing. This is what’s most exciting and daunting about our industry. Disruption takes stamina and a willingness to embrace the unknown while acting responsibly in the moment. This is our goal and commitment as we explore ways to drive innovation in our industry forward.

You’ll continue to hear from me throughout the year as I share our wins and our challenges toward that vision. It’s my hope that through transparency and open dialogue, we can maintain the trust our community has placed in us.

Thank you for reading.

Alison Mudditt

Display without Delay: Search, Browse & Cite PLOS Articles with Quick Abstracts from Google Scholar

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Working off your mobile device? No problem. We just made it easier to use your phone to find and scan PLOS articles.

If you’re someone who’s out in the field more than in the lab, you may have been challenged finding research on the fly. That’s now in the past. To expedite discovery and access to PLOS research articles, we’ve worked with Google Scholar to include PLOS abstracts in their new Quick Abstracts feature. Researchers around the world can now view complete abstracts and explore citations quickly and efficiently from any mobile device. For scientists, educators, policy makers and journalists, this means more efficient and timely access to the academic literature.

How It Works

Google Scholar Quick Abstracts allows researchers to tap on any search result to browse the full abstract text of a PLOS article directly on their cell phone, then either return to the search results or swipe right and left to read additional abstracts. From a link at the bottom of the abstract text, readers are taken directly to the complete article. Quick Abstracts even serves up preprint abstracts from bioRxiv, further extending discoverability of work by authors who opt to post their preprints at time of submission to PLOS journals.

Quick Abstracts includes all the expected features of Google Scholar, including saving to “My Library” through the star button, and display of citing and related articles. Additionally, an entire discovery network is available through use of search strings on the Google Scholar homepage. For example, entering “site:journals.plos.org” in the search bar retrieves abstracts of the entire database of PLOS research articles.

Innovation for All

Research, discovery and knowledge on the go shouldn’t be restricted to technology-driven economies. While the majority of cell phone users in the United States and Europe benefit from 3G, and even 4G, technologies and fast data delivery speeds on their mobile devices, this is not the case globally. Quick Abstracts integrates mobile network optimization that enables abstract display without delay, especially important for communities in the global south browsing and reading journals such as PLOS Neglected Tropical Diseases, PLOS Pathogens, PLOS Medicine and related research in additional PLOS journals.

Open. Fast. Global.

The adoption of Quick Abstracts is a logical extension of our ongoing relationship with Google Scholar—one based on making research more open and available throughout the global scholarly research community. Our CC BY licensing, Open Access ethos and mobile-ready delivery of journal content enables innovators like Google Scholar to bring their latest technologies to PLOS, for the benefit of our authors and the wider scientific community. Like our partnership with protocols.io for laboratory methods citations and collaboration with bioRxiv for preprints with our journal submissions, this is just one more example of how we’re working with external collaborators to transform research communication.

No more waiting to get back to your desk, lab or laptop to explore a potential new project, prepare for journal club or add to your reference list—head to scholar.google.com from your cell phone for abstract display without delay.

 

PLOS Extends a Profound Thank You

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To all our Reviewers, Guest Editors and Editorial Board members, thank you! 2018 marks the fourth year that we formally and publicly acknowledge our community of reviewers and editors for sustaining public access to rigorous peer-reviewed research, enhancing our journals’ abilities to communicate the work of researchers and communities, and inspiring the work of our staff.

A Passion to Go Beyond

Our contributor community selflessly guides papers through the editorial process and provides feedback to authors. Many also actively stand up for Open Access, open data and Open Science as they attend conferences, debate with colleagues or share research via social media, email or even, yes, conversation! Our reviewers and editors devote time and energy to PLOS Collections, Special Issues, PLOS Channels, Editorials, Perspectives, blog posts, interviews, career advice, educational material and more to enrich the primary literature, provide context and engage the public. These endeavours help make PLOS a unique place to publish and for that we are greatly appreciative.

Those who volunteer their services to PLOS, and the greater scientific community, are more than just dedicated scientists: they share an entrepreneurial spirit as we advance scholarly communication with requirements for ORCID iDs for corresponding authors, implementation of CRediT for author contributions, community engagement for improved evaluation, integration of preprint Editors and experimentation with software development. Throughout all of these innovations, some successful (108,000 ORCID entries in our system uniquely identify authors to ensure complete and accurate recognition of work, regardless of changes to name or institution) and others less so, PLOS continues to be, in the words of our CEO, an organization “willing to take risks in order to best serve scientific communities.” We have tremendous appreciation for Reviewers, Guest Editors and Editorial Board Members who are confident to travel the road with us toward a world of readily discoverable, freely available, thoroughly reliable and fully reusable research outcomes.

An Impressive Community Workload

Continuing our quest for transparency in the publishing process, we include the number of newly submitted and published research articles brought to the public in 2017 in each of the seven journals’ thank you articles. We released this information for the first time last year and will continue to do so as it provides additional insight and appreciation for the workload of our reviewers and editors. That workload in 2017 supported publication of more than 23,000 research articles.

Our global network of more than 74,000 reviewers and 7,200 editors ensures that Research Articles, Perspectives, Editorials and more achieve the highest quality possible. The more than 15 million article views per month (on average) this past year hints at the enthusiasm that PLOS reviewers and editors share, for science and scientists. Enthusiasm is not enough, however. This geographically diverse contributor community also shares a commitment to responsible and fair examination of the science, ethics, reporting guidelines, data availability and journal publication criteria associated with each submission.

Efforts to Ease Process and Enrich Training

We’ve listened to our reviewer and editor communities who want more training, especially Early Career Researchers. In response we developed the PLOS Reviewer Center, to provide detailed, journal-agnostic peer review guidance from experienced researchers, staff editors, Editorial Board members, and other reviewers. The Reviewer Center is still under development, so we encourage you to take a look around and let us know what you find useful or missing via the feedback form.

Through the PLOS Reviewer Center anyone can:

  • Learn the basics of peer review and get helpful tips for handling reviewer tasks, from accepting a review invitation to completing a review
  • Access video, templates, checklists and other customized tools for reviewers
  • View recent articles and commentary about trends and studies on peer reviewers, the peer review process, and other related topics

In addition to the Reviewer Center, we’ve made more comprehensive our guidelines for Reviewers and Editors, provided editors more journal transfer options to accelerate publication of peer-reviewed manuscripts, made reviews public to increase transparency of the review process and experimented with signing reviews. A detailed overview of the Editorial and Peer Review Process is available on all journal sites.

For the Record

A published and citable journal article thank you provides reviewers and editors recognition and an academic citation for their inspired service to colleagues, institutions, funders and the public. Each reviewer’s and editor’s name is listed in the Supporting Information of each journal’s published article; links to these articles are below.

We’re in the midst of expanding the size and scope of the PLOS ONE Editorial Board to achieve stronger subject area coverage across all relevant disciplines. If you’d like to learn more, please email us at edboardmgmt@plos.org.

Once again, thank you!

PLOS Collaborates on Recommendations to Improve Transparency for Author Contributions

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In a new report, a group convened by the US National Academy of Sciences and including a dozen journal editors reflects on authorship guidelines and recommends new ways to make author contributions more transparent.

What does it mean to be author number seven on a twenty-five–author article?

Establishing transparency for each author’s role in a research study is one of the recommendations in a report published today in the Proceedings of the National Academy of Sciences (PNAS) by a group led by Marcia McNutt, President of the National Academy of Sciences. The recommendations issued by this group, which included one of us, were adapted based on community feedback and peer review from an original draft presented as a preprint. PLOS supports the recommendations for increased transparency and has already put some of them in practice.

A more systematic description of author contributions is a prerequisite to providing due credit for roles that are instrumental to the research enterprise, especially those roles that are too often ignored or devalued. For example, collecting, curating and sharing a dataset or developing a new methodological approach that can be reused by others are key contributions that may not always land a ‘first author position’ but have applications beyond a single article and deserve recognition.

Transparency also brings more accountability to a system where questionable and even detrimental practices (such as guest, ghost or conscripted authorship) have been documented. While transparency requirements cannot entirely eliminate abuse, transparent description of individual author contributions can deter inaccurate representations and can expose institutionalized authorship practices that should be questioned.

Paradoxically, a concern often heard about emphasizing contributions is that they risk diluting individual author responsibility for the overall integrity of a study. The recommendations address this concern by stipulating authorship standards that require each author to be “personally accountable for [their] own contributions and to ensure that questions related to the accuracy or integrity of any part of the work, even ones in which the author was not personally involved, are appropriately investigated, resolved, and the resolution documented in the literature.” Thus, having one’s contributions precisely described does not absolve any author of responsibility for the accuracy and rigor of the entire study.

The paper also recommends mechanisms by which publishers can bring a minimum level of standardization to the description of author contributions. In particular, the group advocates for the implementation of ORCID identifiers and the CRediT taxonomy as emerging standards in the industry. While many journals already require specification of author contributions, a more fully integrated system of persistent identifiers (like ORCID iDs for authors and DOIs for articles) connected via a standardized vocabulary of relationships (like the CRediT taxonomy for contributions) will make the information both human- and machine-readable and allow it to be surfaced more easily.

PLOS journals have adopted both ORCID and CRediT since 2016; the roles and ORCID iDs provided by authors are now visible with one click on the author name in the by-line. ORCID information is passed on to CrossRef, which updates ORCID records with authors’ permissions.

In our experience, the CRediT taxonomy has worked well, but the definition of some individual terms could be improved. In particular, those related to data may benefit from some refinement to distinguish generation of data from its subsequent curation. As others examine the possibility of using the taxonomy, we encourage a collaborative approach with CASRAI’s CRediT Committee, the taxonomy steward, to match the needs of different communities.

Not all roles in the CRediT taxonomy immediately qualify a participant for authorship; that qualification is determined by journal policy. To determine who should be an author, PLOS currently follows the recommendation established by the International Committee of Medical Journal Editors (ICMJE) for medical journals which posits that authorship should be associated with a substantive intellectual contribution as well as participation in drafting or revising the manuscript. While PLOS Medicine checks that all four ICMJE criteria are met by all authors, the experience at other PLOS journals indicates that in fields outside medicine, not all authors state they have participated in the drafting or revising of the manuscript. The proposed adaptation of authorship criteria in the current PNAS report, which includes writing as a qualification for authorship but does not require it, aims not to exclude important contributors from authorship. Conversely, the inclusion of writing without other intellectual contribution to a study as a role worthy of authorship may not find acceptance in all disciplines. The intent is not to impose a monolithic approach to authorship, but to accommodate a broad range of community standards transparently. When contributors do not meet authorship criteria, CRediT can also serve to document their precise contributions as acknowledged colleagues, supported by other means of credit like citations of protocols and datasets.

On a new website, the report’s authors commit to reflect upon and improve current authorship guidelines and practices at the journals they represent, and they encourage other journals to do the same. Such introspection and subsequent discussion are timely, as research studies are increasingly large-scale and multi-disciplinary affairs. As more work goes into providing due credit for scholarly contributions like methods development, data collection and data sharing, transparency in authorship roles should advance in tandem.

Competing Interests Disclosure: Veronique Kiermer is an author of the recommendations discussed and Chair of the ORCID Board. Larry Peiperl serves on the ICMJE.

 

Image Credit: Wikipedia

Rare Disease Day Spotlight on PLOS Authors: Open Data Repositories in Practice

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Science increasingly involves collaborative research groups, program partnerships and shared learnings to encourage transparency, reproducibility and a responsible transition to a more open way of doing science. Open Science policies and best practices are currently under discussion, definition and development across the wide spectrum of activities that make up the research cycle, from open notebooks, open data and transparent peer review to the interoperability of meta-data and digital identifiers. In particular for open research practices, adoption of emergent and recent policies (i.e. PLOS Data Policy) could be strengthened if accompanied by examples of successful implementation. Examples can serve as a powerful motivator for improved understanding and behavioral change for those confronted with the uncertainties of a more open landscape for the practice and communication of science.

Perhaps it’s a question of making clear to the broad stakeholder community, at all stages and across multiple disciplines, the practical benefit of these polices moving us all toward a more Open Science. It’s not just a theoretical pursuit of Open Science for the sake of being open. The current energy behind Open Science in the European Union, as well as in the United States, stems also from a frustration over wasted resources, time and talent. Practicing Open Science well does enhance reproducibility through improved clarity of methods and reagents, and accelerated reuse of data and code by others.

A Celebration of Open Data

A major benefit of open data is that data can be reused, not only for validation work but also for pushing science forward. Teams of scientists with diverse expertise collaborated to explore preexisting data sets to advance breast cancer research, in the US National Cancer Institute’s Up For A Challenge (U4C) Contest. Finalists in the US National Institutes of Health, Howard Hughes Medical Institute and Wellcome Trust Open Science Prize competition (which included projects by PLOS authors and their related publications) “demonstrated the huge potential for data to be reused to develop new applications and uncover new knowledge,” wrote Robert Kiley, Head of Open Research, and David Carr, Programme Manager, Wellcome Trust, in Figshare’s State of Open Data Report 2017. The report provided insight into how researchers approach publishing their data. In response to surveys asking where they published their data, researchers most commonly did so as an appendix to an article (slightly over 30%) or in a data repository (slightly under 30%), with 20% having published data in a data journal (see the summary infographic).

Open Data Day (March 3, 2018) is an opportunity to showcase the benefits of open data and open data systems, and, according to the grassroots collective’s website, “to encourage the adoption of open data policies in government, business and civil society around the world.” This year, the focus is on four key areas where open data can help solve universal problems: opening research data, tracking public money flows, informing open mapping projects and providing open data for equal development. In Copenhagen, Open Data Day will include announcement of the Danish Open Data Award and in London activities are planned related to Open Science and reproducible research. Participants in The Philippines will benefit from a roundtable discussion on open research as it applies locally and globally. There are no shortage of ideas and data sources for Open Data Day.

Publisher Actions

PLOS took a leadership position in open data in 2014 with our strengthened Data Policy, and since 2015 our journals maintain a list of recommended repositories to help authors share their data. When we assess repositories for inclusion in our list we are guided by criteria that meet the FAIR principles on open data. We consider this our responsibility as a publisher. The FAIR guiding principles state that beyond making data open as an important component in the data ecosystem, data also need to be Findable, Accessible, Interoperable and Reusable. For inclusion on PLOS’ list of recommended repositories, several criteria were developed, some of which are listed below. For a more complete description of repository criteria, visit the EveryONE blog on Open Data Day!

  1. Datasets should be available at no cost. All PLOS articles are available to readers free of charge and we believe cost should not be a barrier to access either the scientific literature or accompanying datasets. Repositories are not considered for our recommended list if they charge readers access or subscription fees.
  2. Repository with stated licensing policies should offer CC 0 or CC BY licenses (or equivalents), for maximum reproducibility and reuse.
  3. To ensure that datasets will be permanently accessible at the specified location, repositories must issue a stable identifier at publication, such as a digital object identifier (DOI) or an equally robust accession number.
  4. FAIRsharing.org works with a community of journals, funders and databases in support of standards, polices and educational material to enable funders, librarians, journals, researchers and developers to thrive in the open data world. The repository chosen by PLOS authors should have an entry created in the FAIRsharing database, to allow it to be linked to the PLOS entry.

In addition to considering the PLOS Data Policy and providing a Data Availability Statement for their individual data and datasets, selecting the appropriate data repository is an important part of a researcher’s overall experimental and data plan. To assist authors in choosing the best repository, in addition to the current list of recommended repositories, the complete list of repository criteria will soon be available on PLOS journal websites.

Researcher Participation

What is the practical importance of open data? As one specific example we can look to a coincidence of timing: February 28 is Rare Disease Day. Rare diseases constitute a group of more than 6,000 different diseases and affect more than 300 million people worldwide. To put this number in perspective, 1 in 20 people live with a rare disease in their life, according to EURORDIS, an alliance of over 700 patient organizations from nearly 70 countries in Europe. In light of Rare Disease Day’s close temporal alignment with Open Data Day, we highlight a selection of articles on rare diseases published at PLOS that utilize a variety of repository options to best make their associated data available. These are examples of authors doing the right thing to advance rare disease research, collective knowledge, and future therapeutic interventions.

  • Sorenson et al. (2017) used the National Center for Biotechnology Information (NCBI) Gene Expression Omnibus (GEO) repository to store their genomic and transcriptomic data relating to fibrolamellar hepatocellular carcinoma (a rare variant of liver cancer).
  • Guilhem et al. (2017) used the Data Archiving and Networking Services (DANS) EASY repository to deposit data files from their research on hereditary hemorrhagic telangiectasia (a disease leading to abnormal blood vessel formation). The EASY repository is one of PLOS’ recommended repositories.
  • Andersen et al. (2017) carried out a bibliometric analysis on multiple myeloma research (a cancer of white blood cells). Few, if any, dedicated repositories exist exclusively for bibliometric work, so data underlying work like this can be deposited to a discipline-independent repository—in this case Figshare. While subject-specific repositories are preferred, in cases where they are not available authors may use a cross-disciplinary repository.
  • Hytönen et al. (2016) published genome data relating to their work on three rare bone diseases in the European Nucleotide Archive (ENA) hosted by EMBL-EBI.
  • Piersanti et al. (2015) also used the GEO repository to store their microarray data on gene expression changes in brain cells following infection with viral vectors. This work contributes to the development of gene therapy that could be used in the treatment of several rare diseases affecting the brain.

The theme for Rare Disease Day this year is a carry-over from last year—research. If scientists working in these disease areas make their data open and available for reuse and re-examination, they can extend the impact of their efforts and may open a window to unrealized diagnoses, therapies and perhaps even cures.

In the pursuit of Open Science, practical and even incremental change has the power and potential to bolster momentum and encourage a spirit of collaboration that ultimately brings about large-scale cultural shift. We have seen evidence of this most recently with the preprint movement in biomedical and life sciences. Making open data the norm, whenever possible, and following FAIR sharing principles are additional practices that, like preprints, have the capacity to transform the work and culture of science.

Join the PLOS Communications LinkedIn Group to stay up to date on author interviews, research and organisation highlights.

PLOS and Cold Spring Harbor Laboratory Enter Agreement to Enable Preprint Posting on bioRxiv

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Editor’s Note: This press release also appears on the Cold Spring Harbor Laboratory Newsstand.

Public Library of Science (PLOS) and Cold Spring Harbor Laboratory (CSHL) announce an agreement that enables the automatic posting of research articles submitted to PLOS journals on bioRxiv, CSHL’s preprint server for the life sciences. This collaboration between bioRxiv and PLOS empowers authors to share their work on a trusted platform before peer review, accelerating the pace of biomedical research.

PLOS is committed to enhancing the integrity of preprints and confidence in them as research outputs. PLOS will perform initial manuscript screening compatible with bioRxiv standards, covering scope, plagiarism, and previous publication, as well as other basic ethical and technical criteria. Articles will then post automatically to the bioRxiv server without the need for additional actions by the author. By allowing their submission to be posted on bioRxiv, authors accelerate the dissemination of their work and invite commentary by a broader community, which the PLOS editors will evaluate as part of peer review. Authors may choose to opt-out of this process when they submit papers to PLOS.

PLOS and CSHL also plan to work collaboratively towards solutions for preprint licensing that enable broad dissemination and reuse; the addition of badges to papers which signal that additional services for authors have been performed by PLOS and potentially other organizations; submission and screening standards in the biomedical sciences; and the implementation of new forms of manuscript assessment to augment or improve current methods of peer review.

“The opportunity to partner with a like-minded organization such as CSHL to realize a longstanding PLOS goal is a strategy for us moving forward,” said Alison Mudditt, Chief Executive Officer, PLOS. “A key part of our mission has always been to act as a catalyst, not only demonstrating the viability of new models through our own operations but also supporting them elsewhere. In the case of preprints, we can magnify our impact by partnering and helping shape how that future develops for all posted content on bioRxiv.”

The bioRxiv preprint server was initiated by CSHL in November 2013 and received major support in May 2017 from the Chan Zuckerberg Initiative. It currently hosts over 20,000 manuscripts from bioscientists in 104 countries and has a rapidly rising rate of submission.

“Helping researchers communicate at the speed of science has been the principal goal of bioRxiv since its launch,” said John Inglis, co-founder of bioRxiv at CSHL, “and over one hundred thousand authors have taken advantage of that opportunity. We are delighted to have reached an agreement with PLOS to offer that benefit to tens of thousands more authors who are ready to share their work and open it up to the community response and feedback that bioRxiv makes possible.”

“This collaboration highlights PLOS’ commitment to the growing preprint movement in the biological sciences and bioRxiv’s support for scientists’ desire to share their research freely and widely,” said Louise Page, Chief Innovation Officer, PLOS. “The screened submissions to bioRxiv from PLOS illustrate how publishers can drive preprints and create new outputs in response to researcher-led initiatives that increase transparency and promote early dissemination of science.”

Retrospection and Direction: A Q&A with Peter Walter

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“In our panel it is the stated and adhered to policy that we will not consider where a paper is published. Rather, in our evaluations we assess its real impact in a field. Change of this sort and defiance of the status quo is badly needed in all committees and panels that make decisions that impact the future of our next-generation scientists, even if it entails a bit more work.”-from “On Publishing and the Sneetches: A Wake-up Call?

These are words written by Dyche Mullins and Peter Walter, in 2016. Walter is one of this year’s Breakthrough Prize in Life Sciences recipients and a leader in the scientific community not only for his scientific investigations but also for his continuous dedication to mentoring and teaching younger scientists, and for taking a progressive but circumspect stand on issues that impact the quality of scientific life. As a follow-up to last month’s Breakthrough Prize overview, PLOS interviewed Walter on some of the broader issues surrounding his work and publishing in general. Walter has strong opinions related to impact factors and Open Access; he remains open minded regarding preprints. His valuable and modest insights are below, with minimal editing.

 

Image courtesy of UCSF

PLOS: Which of your PLOS articles were most impactful for your work related to the prize, and why?

Walter: The Brickner and Walter paper [“Gene Recruitment of the Activated INO1 Locus to the Nuclear Membrane”] stands out, in my view, as this story organically grew out of our ongoing work on the unfolded protein response, yet opened an entirely new field: that the physical location of a genetic locus inside the nucleus can be dynamic and affect gene regulation. This paper also served to seed Jason Brickner’s independent career: Shortly after this publication, he was recruited to Northwestern University. Since then, his lab has vastly expanded upon this topic and he is now internationally recognized as one of the very leaders of cell biological mechanisms that control transcriptional memory.

PLOS: Do you have a personal favorite among your PLOS publications? Perhaps one that was either controversial or that sparked scientific debate/conversation at time of publication?

Walter: The Pincus et al. paper [“BiP Binding to the ER-Stress Sensor Ire1 Tunes the Homeostatic Behavior of the Unfolded Protein Response”] is one of my all-time favorites: It demonstrates the power of computational modeling for generating new hypotheses and then experimentally testing them. In this case, modeling suggested experiments that we would not have thought of otherwise, and the results showed beyond reasonable doubt that BiP dissociation from the ER-resident stress sensor Ire1 is not the regulatory switch that activates the UPR. The work inspired rethinking, and it is now clear that in both, yeast and metazoans, unfolded proteins per se are agonists that bind directly to the stress sensors Ire1 (and PERK). Despite the seminal insights provided in this publication, the field remains attached to the notion that BiP dissociation is causal for Ire1 activation—providing an important insight into the surprisingly inflexible thinking of established scientists (including myself, at times…).

PLOS: In your experience speaking with the public or non-scientists in general, what concept(s) about the unfolded protein response pathway do they typically find most interesting or resonates strongly?

Walter: Trained as a chemist, I personally cherish the many unorthodox molecular mechanisms by which the unfolded protein response regulates ER [endoplasmic reticulum] homeostasis. However, beauty at a molecular scale is mostly appreciated by aficionados and only rarely resonates with the public and non-scientists. We are now in a most fortunate era where our work tangibly links to a broad spectrum of diseases, including cancer and neurodegeneration, where our knowledge has become foundational to the exploration of new treatment strategies. As such, our work provides a wonderful platform on which to demonstrate the power and value to society of curiosity-driven research in which we seek understanding of how healthy cells work in disease-agnostic approaches and then use that knowledge to learn what goes wrong in disease and how to fix it.

PLOS: Our readers span the range of career stages. What is your opinion of the value or challenge to publishing in Open Access journals?

Walter: The challenge for the next generation of researchers is to break out of the stranglehold that the for-profit publishing industry has put on our community. The misguided emphasis on abstruse metrics, e.g., impact factor, in addition to the poorly transparent review procedures by our “vanity journals” and their hand-me-down cousins distort our most fundamental values. My colleagues and I have clearly laid out our views on this topic [in addition to the ASCB Newsletter referenced in the opening quote see the commentary co-authored with Martin Raff and Alexander Johnson, entitled “Painful Publishing”].

Just as with scientific models, old patterns are hard to break. We need our young scientists to recapture control. The myth that one can only get a job/grant/promotion with [high impact factor journal] papers has been debunked internationally (e.g., Jason Brickner and Liang Ge in China). The challenge ahead is to spread the word and make sure that no young scientist who made an important discovery will ever be held back by the name of the journal where ground breaking findings were published.

“Open-access and publishing (to “make public”) are synonymous in my view, and scientist-run non-profit open-access journals that manage to deliver consistently customer-friendly, transparent, and constructive reviews and timely feedback are destined to lead the movement.”

PLOS: Finally, have you or collaborator ever posted a preprint? If not, would you consider doing so, and why/why not?

Walter: To date, we have posted two preprints—I consider them experiments with the new forum. For now, I remain agnostic to the process. Science is moving fast enough for my taste (if not too fast sometimes), and I remain unsure whether an invitation to put un-reviewed stories out there will be that beneficial overall. Many things will need to be worked out: Does a preprint establish priority for a discovery? How will “better-first-and-sloppy-than-second-and-who-cares” science be regarded by the community? How will we deal with predatory scientists who appropriate ideas and results from our students or postdocs and then race to scoop them? Also, personally, I read most papers only once, and it is the first impression that sticks. The concept of looking at evolving versions rather than a final, best-as-can-be product is rather vulnerable in my opinion. We’ll see; I remain open-minded.

 

Editor’s Note: Some of the issues Walter raises above are covered in the PLOS Computational Biology article “Ten simple rules to consider regarding preprint submission.” Major funders including Wellcome Trust and NIH, and publishers such as PLOS, PeerJ and eLIFE are actively working on external policies and internal practices to facilitate authors’ use of preprints; PLOS Biology has formalized a policy whereby complimentary studies (those submitted within six months of publication or preprint posting and already addressing the same question) will be considered for publication. Newly minted scientists are encouraged to use preprints as a way of, as Walter recommends, recapturing control. The cartoon above on use ideas for preprints from the group PREreview is available for download on figshare.

 

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Peter Walter is Professor, Department of Biochemistry and Biophysics at the University of California, San Francisco (UCSF) and Investigator, Howard Hughes Medical Institute. He served as President of the American Society of Cell Biology in 2016 and as Department Chair in Biochemistry and Biophysics at UCSF from 2001 until 2008. He is an elected member of the German Academy of Natural Scientists Leopoldina, the US National Academy of Sciences, the National Academy of Inventors, the American Association for Arts and Science, and the European Molecular Biology Organization. He is recipient of multiple awards including the Breakthrough Prize in Life Sciences (2018), Vilcek Prize in Biomedical Science (2015) and Lasker Basic Medical Research Award (2014). He is co-author of the widely-used textbooks Molecular Biology of the Cell and Essential Cell Biology and alumnus of the Djerassi Artist-in-Residence program.

 

Image Credit: Peter Walter lab; University of California, San Francisco

The Editor’s Note was updated on 1/30/3018 to indicate the policy at PLOS Biology is formalized and to provide the link to the Criteria for Publication on the journal’s information page.

Transformational Work Over a Career: Breakthrough Prize in Life Sciences for PLOS Authors

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How do you measure lifetime achievement? It’s not by assessing individual works but by consideration and evaluation of consistent contributions to a discipline over time. Contributions may be independently substantial, but in science, a researcher’s impact is more often made through gradual insights that accrue meaning as a discipline advances. Over the course of a career, creative thinkers and leaders in science can significantly influence a field, and humanity more broadly.

A recently established award provides one measure of lifetime achievement for life sciences—the Breakthrough Prize. Established in 2013, the Breakthrough Prize in Life Sciences honors “transformative advances toward understanding living systems and extending human life.” The prize encourages celebration and recognition of “outstanding minds.” Those scientists who “think big, take risks and have made a significant impact on our lives” each receive $3 million for their work that provides fundamental and far-reaching understanding of biological mechanisms.

The Breakthrough Prize in Life Sciences is designed to bring public attention, financial reward and a bit of glamor to outstanding scientists who over the course of their careers have changed the way scientists think about basic principles. Through a central component of the award, the impact of honored scientists’ work is extended to a broader general audience. Recipients are invited to present public talks – with recorded lectures made available to the public – “allowing everyone to keep abreast of the latest developments in life sciences, guided by contemporary masters of the field,” according to the Breakthrough Prize website. Breakthrough Prizes are also awarded in fundamental physics and mathematics.

This year, five scientists received life sciences prizes; collectively these creative thinkers have published 30 papers in PLOS journals (13 in PLOS Biology, 16 in PLOS ONE and one in PLOS Genetics), providing their work to the global community free of access and reuse restrictions. The 2018 Breakthrough Prizes in Life Sciences were awarded to:

    • Joanne Chory, for pioneering work elucidating mechanisms by which plants “optimize their growth, development, and cellular structure to transform sunlight into chemical energy.” Chory has published work with PLOS on how the circadian clock coordinates plant growth through synchronized gene expression, on growth patterning in the model plant system Arabidopsis and a novel approach to identify required gene regulatory elements, and on diurnal and clock-regulated transcription factors and their target cis-regulatory elements in additional plant models. The Chory team first published with PLOS in 2004.
DOI: 10.1371/journal.pbio.0060225
    • Kim Nasmyth, for elucidating the “sophisticated mechanism that mediates the perilous separation of duplicated chromosomes during cell division and thereby prevents genetic diseases such as cancer.” Nasmyth’s work in PLOS Biology covers the influence of excess heterochromatin (highly packed DNA) segments and cohesin protein accumulation on sister chromatid separation, and that the protein shugoshin protects centromeres until chromosomes are ready to separate. He and colleagues from the Research Institute of Molecular Pathology, in Vienna, Austria, first published with PLOS in 2005.
DOI: 10.1371/journal.pbio.0030086
    • Don Cleveland, for characterizing molecular mechanisms involved in the pathogenesis of inherited Amyotrophic Lateral Sclerosis (ALS), “including the role of glia in neurodegeneration, and for establishing antisense oligonucleotide therapy in animal models of ALS and Huntington disease.” Cleveland’s work using post-mortem human tissue samples and transgenic mice showed that mRNA oxidation is an early event associated with motor neuron deterioration in ALS, and possibly other neurological diseases. His work on the enzyme superoxide dismutase, responsible for breaking down toxic, charged oxygen molecules known as superoxide radicals, included assessing the therapeutic effect of human fetal spinal neural stem cells grafted into the lumbar spine of transgenic rats presymptomatic for ALS. Cleveland and his many colleagues first published with PLOS (twice) in 2008.
DOI: 10.1371/journal.pone.0042614

Two scientists, Kazutoshi Mori of Kyoto University, Japan, and Peter Walter of the University of California, San Francisco, received Breakthrough Prizes for their independent work on “elucidating the unfolded protein response, a cellular quality-control system that detects disease-causing unfolded proteins and directs cells to take corrective measures.” The unfolded protein response (UPR) is a phylogenetically conserved endoplasmic reticulum-to-nucleus signaling pathway that senses unfolded proteins early on in the biosynthetic process, and then transmits that information to the cell nucleus. This information stimulates a genetic transcription program designed to re-establish cellular homeostasis by increasing the intracellular machinery and processes that help proteins fold.

    • Various cellular insults, writes Mori in his team’s PLOS Biology article, “including exposure to pharmacological agents that perturb protein folding, genetic mutation of ER chaperones or chaperone substrates, viral infection, metabolic demands, and even normal differentiation and function of professional secretory cells” impact the UPR in similar and unique ways. His earlier work published with PLOS examined the differential influence of low-level, severe and chronic stress on UPR activation. More recently, Mori has extended his investigations to the development of a high-throughput screening assay that incorporates a molecular biosensor to identify small molecule activators of the endoplasmic reticulum stress response in malignant glioma cells.
DOI: 10.1371/journal.pbio.0040374
    • Since 2004, Walter has published 12 papers with PLOS covering the role of endoplasmic reticulum expansion in the UPR in yeast; a teasing out of the relationship between cell proliferation, cell death and protein folding in human embryonic kidney cell lines; and the importance of targeting a key transcription factor to the cell membrane, to provide the appropriate cellular response to protein folding status in bacteria. Walter’s first two papers published in PLOS Biology, presented as a series together with a Synopsis, described amplitude adjustment signals for the UPR in yeast. Prior to this work, the UPR was thought to largely be a binary, on or off, function.
DOI: 10.1371/journal.pone.0003528

Perhaps more than other prize recipients, Joanne Chory was surprised by her inclusion as an awardee, explaining to the San Diego Union-Tribune, “this prize has been more associated with biomedical things.” The award may be a nod to the relevance of Chory’s current work to climate change. Those interested in the connection between mechanisms of sunlight and clock-regulated plant development to global warming may find of interest the Ecological Impacts of Climate Change Collection and newly launched Responding to Climate Change Channel.

International lifetime achievement awards are given in many fields, including economics, music and physical sciences, among others. With support of founding sponsors Mark Zuckerberg, Priscilla Chan, Sergey Brin, Anne Wojcicki and Yuri Milner, life sciences has another prize of its own, with a musical perk. This year’s awardees were honored at a gala hosted by Morgan Freeman with a performance of “See You Again” by Wiz Khalifa and Nana Ou-Yang.

 

Hero image credit: breakthroughprize.org

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